Cross-Cultural Visions in African American Modernism : From Spatial Narrative to Jazz Haiku / Yoshinobu Hakutani.
Material type:
- text
- computer
- online resource
- 9780814272374
- Modernism (Literature)
- Influence (Literary, artistic, etc.)
- American literature -- African American authors
- African Americans -- Intellectual life
- LITERARY CRITICISM -- American -- General
- Modernisme (Litterature) -- États-Unis
- Noirs americains -- Vie intellectuelle -- 20e siecle
- Influence litteraire, artistique, etc. -- Histoire -- 20e siecle
- Litterature americaine -- Influence etrangere
- Modernism (Literature) -- United States
- African Americans -- Intellectual life -- 20th century
- Influence (Literary, artistic, etc.) -- History -- 20th century
- American literature -- Foreign influences
- American literature -- African American authors -- History and criticism
- United States
The Chicago Renaissance, Theodore Dreiser, and Richard Wright's spatial narrative -- The cross-cultural vision of Ralph Ellison's Invisible man -- No name in the street : James Baldwin's exploration of American urban culture -- If Beale Street could talk : Baldwin's search for love and identity -- Jazz and Toni Morrison's urban imagination of desire and subjectivity -- Wright's The outsider and French existentialism -- Pagan Spain : Wright's discourse on religion and culture -- The African "primal outlook upon life" : Wright and Morrison -- The poetics of nature : Wright's haiku, Zen, and Lacan -- Private voice and Buddhist enlightenment in Alice Walker's The color purple -- Cross-cultural poetics : Sonia Sanchez's Like the singing coming off the drums -- James Emanuel's jazz haiku and African American individualism.
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