Film Museum Practice and Film Historiography : The Case of the Nederlands Filmmuseum (1946-2000) /
Lameris, Bregt,
Film Museum Practice and Film Historiography : The Case of the Nederlands Filmmuseum (1946-2000) / Bregt Lameris. - 1 online resource (245 pages): illustrations - Framing film . - Book collections on Project MUSE. .
Table of Contents; Acknowledgements; Introduction; PART I. COLLECTIONS; 1. Private Collectors; 2. Blind Choices: Parameters and Repetitions; 3. Eyes Wide Open: Duplicates; PART II. PRESERVATIONS; 4. Passive Preservation: An Historical Overview; 5. Impressions: Restoration of the Film Image; 6. Reconstructions; PART III. PRESENTATIONS; 7. Film Museum Exhibition Spaces; 8. Framing Programmes; 9. Performances; Coda: Past Futures, Future Pasts; Notes; Bibliography; Index.
Open Access
Rich in detail, this is a study of the interrelationships between film historical discourse and archival practices. Exploring the history of several important collections from the EYE Film Museum in Amsterdam, Bregt Lameris shows how archival films and collections always carry the historical traces of selection policies, restoration philosophies, and exhibition strategies. The result is a compelling argument that film archives can never be viewed simply as innocent or neutral sources of film history.
9789048526741
Desmet, Jean, 1875-1956.
Desmet, Jean, 1875-1956.
Bauhaus Dessau Bereich Architektur und Sammlungen 1986-1994
Nederlands Filmmuseum
Nederlands Filmmuseum.
EYE Film Instituut Nederland.
Nederlands Filmmuseum--History.
Diskurs
Filmmuseum
Filmgeschichtsschreibung
Motion pictures.
PERFORMING ARTS--Film & Video--General.
PERFORMING ARTS--Reference.
Motion pictures--History--Netherlands--20th century.
Netherlands.
History.
Electronic books.
Film Museum Practice and Film Historiography : The Case of the Nederlands Filmmuseum (1946-2000) / Bregt Lameris. - 1 online resource (245 pages): illustrations - Framing film . - Book collections on Project MUSE. .
Table of Contents; Acknowledgements; Introduction; PART I. COLLECTIONS; 1. Private Collectors; 2. Blind Choices: Parameters and Repetitions; 3. Eyes Wide Open: Duplicates; PART II. PRESERVATIONS; 4. Passive Preservation: An Historical Overview; 5. Impressions: Restoration of the Film Image; 6. Reconstructions; PART III. PRESENTATIONS; 7. Film Museum Exhibition Spaces; 8. Framing Programmes; 9. Performances; Coda: Past Futures, Future Pasts; Notes; Bibliography; Index.
Open Access
Rich in detail, this is a study of the interrelationships between film historical discourse and archival practices. Exploring the history of several important collections from the EYE Film Museum in Amsterdam, Bregt Lameris shows how archival films and collections always carry the historical traces of selection policies, restoration philosophies, and exhibition strategies. The result is a compelling argument that film archives can never be viewed simply as innocent or neutral sources of film history.
9789048526741
Desmet, Jean, 1875-1956.
Desmet, Jean, 1875-1956.
Bauhaus Dessau Bereich Architektur und Sammlungen 1986-1994
Nederlands Filmmuseum
Nederlands Filmmuseum.
EYE Film Instituut Nederland.
Nederlands Filmmuseum--History.
Diskurs
Filmmuseum
Filmgeschichtsschreibung
Motion pictures.
PERFORMING ARTS--Film & Video--General.
PERFORMING ARTS--Reference.
Motion pictures--History--Netherlands--20th century.
Netherlands.
History.
Electronic books.