Technology and Film Scholarship : (Record no. 232533)
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| 000 -LEADER | |
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| fixed length control field | 03540cam a22004814a 4500 |
| 001 - CONTROL NUMBER | |
| control field | musev2_66334 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | MdBmJHUP |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20240815120758.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m o d |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr||||||||nn|n |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 180118s2018 ne o 00 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9789048525270 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| Canceled/invalid ISBN | 9789089647542 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)1111314142 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | MdBmJHUP |
| Transcribing agency | MdBmJHUP |
| 245 00 - TITLE STATEMENT | |
| Title | Technology and Film Scholarship : |
| Remainder of title | Experience, Study, Theory / |
| Statement of responsibility, etc. | edited by Santiago Hidalgo ; foreword by Andre Gaudreault. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Amsterdam : |
| Name of producer, publisher, distributor, manufacturer | Amsterdam University Press, |
| Date of production, publication, distribution, manufacture, or copyright notice | [2018] |
| 264 #3 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Baltimore, Md. : |
| Name of producer, publisher, distributor, manufacturer | Project MUSE, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2019 |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Date of production, publication, distribution, manufacture, or copyright notice | ©[2018] |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource (408 pages): |
| Other physical details | illustrations |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 490 0# - SERIES STATEMENT | |
| Series statement | Film theory in media history |
| 505 00 - FORMATTED CONTENTS NOTE | |
| Miscellaneous information | Foreword / |
| Statement of responsibility | Andre Gaudreault -- |
| Miscellaneous information | Introduction: |
| Title | The discursive spaces between a history of film technology and technological experience / |
| Statement of responsibility | Santiago Hidalgo -- |
| Miscellaneous information | Section I |
| Title | Experience -- |
| Miscellaneous information | 1. |
| Title | When Did Cinema Become Cinema? Technology, History, and the Moving Pictures / |
| Statement of responsibility | Charles Musser -- |
| Miscellaneous information | 2. |
| Title | Exhibition Practices in Transition: Spectators, Audiences, and Projectors / |
| Statement of responsibility | Jan Olsson -- |
| Miscellaneous information | 3. |
| Title | Reel Changes: Post-mortem Cinephilia or the Resistance of Melancholia / |
| Statement of responsibility | Andre Habib -- |
| Miscellaneous information | 4. |
| Title | Walter Benjamin's Play Room: Where the Future So Eloquently Nests, or: What is Cinema Again? / |
| Statement of responsibility | Dana Cooley -- |
| Miscellaneous information | Section II |
| Title | Study -- |
| Miscellaneous information | 5. |
| Title | Hitchcock, Film Studies, and New Media: The Impact of Technology on the Analysis of Film / |
| Statement of responsibility | David Colangelo -- |
| Miscellaneous information | 6. |
| Title | Film Analysis and Statistics: A Field Report / |
| Statement of responsibility | Charles O'Brien -- |
| Miscellaneous information | 7. |
| Title | A `Distant Reading' of the `Chaser Theory': Local Views and the Digital Generation of New Cinema History / |
| Statement of responsibility | Paul Moore -- |
| Miscellaneous information | Section III |
| Title | Theory -- |
| Miscellaneous information | 8. |
| Title | Cine-Graphism: A New Approach to the Evolution of Film Language through Technology / |
| Statement of responsibility | Tom Gunning -- |
| Miscellaneous information | 9. |
| Title | Can We Have the Cave and Leave It Too? On the Meaning of Cinema as Technology / |
| Statement of responsibility | Vinzenz Hediger -- |
| Miscellaneous information | 10. |
| Title | On Viewfinders, Video Assist Systems, and Tape Splicers: Questioning the History of Techniques and Technology in Cinema / |
| Statement of responsibility | Benoit Turquety. |
| 506 0# - RESTRICTIONS ON ACCESS NOTE | |
| Terms governing access | Open Access |
| Standardized terminology for access restriction | Unrestricted online access |
| Source of term | star |
| 520 8# - SUMMARY, ETC. | |
| Summary, etc. | This volume brings together a wide range of research on the ways in which technological innovations have established new and changing conditions for the experience, study and theorization of film. Drawn from the IMPACT film conference (The Impact of Technological Innovations on the Historiography and Theory of Cinema) held in Montreal in 2011, the book includes contributions from such leading figures in the field as Tom Gunning, Charles Musser, Jan Olsson and Vinzenz Hediger. |
| 588 ## - SOURCE OF DESCRIPTION NOTE | |
| Source of description note | Description based on print version record. |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Performing Arts. |
| Source of heading or term | ukslc |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Filmtheorie |
| Source of heading or term | gnd |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Technology in motion pictures. |
| Source of heading or term | fast |
| Authority record control number or standard number | (OCoLC)fst01145293 |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Performing Arts. |
| Source of heading or term | eflch |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | PERFORMING ARTS |
| General subdivision | Reference. |
| Source of heading or term | bisacsh |
| 650 #6 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Technologie au cinema |
| General subdivision | Histoire. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Technology in motion pictures |
| General subdivision | History. |
| 655 #7 - INDEX TERM--GENRE/FORM | |
| Genre/form data or focus term | History. |
| Source of term | fast |
| Authority record control number | (OCoLC)fst01411628 |
| 655 #7 - INDEX TERM--GENRE/FORM | |
| Genre/form data or focus term | Electronic books. |
| Source of term | local |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Gaudreault, Andre, |
| Relator term | writer of foreword. |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Hidalgo, Santiago, |
| Relator term | editor. |
| 710 2# - ADDED ENTRY--CORPORATE NAME | |
| Corporate name or jurisdiction name as entry element | Project Muse. |
| Relator term | distributor |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
| Uniform title | Book collections on Project MUSE. |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Public note | Full text available: |
| Uniform Resource Identifier | <a href="https://muse.jhu.edu/book/66334/">https://muse.jhu.edu/book/66334/</a> |
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