Eric Rohmer's Film Theory (1948-1953) : (Record no. 232597)

MARC details
000 -LEADER
fixed length control field 04173cam a22005414a 4500
001 - CONTROL NUMBER
control field musev2_66281
003 - CONTROL NUMBER IDENTIFIER
control field MdBmJHUP
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20240815120759.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
fixed length control field m o d
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
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008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 180625s2018 ne o 00 0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9789048537037
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9789462985803
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)1111612510
040 ## - CATALOGING SOURCE
Original cataloging agency MdBmJHUP
Transcribing agency MdBmJHUP
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Grosoli, Marco,
Relator term author.
245 10 - TITLE STATEMENT
Title Eric Rohmer's Film Theory (1948-1953) :
Remainder of title From 'école Scherer' to 'politique des auteurs' /
Statement of responsibility, etc. Marco Grosoli.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Amsterdam :
Name of producer, publisher, distributor, manufacturer Amsterdam University Press,
Date of production, publication, distribution, manufacture, or copyright notice [2018]
264 #3 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Baltimore, Md. :
Name of producer, publisher, distributor, manufacturer Project MUSE,
Date of production, publication, distribution, manufacture, or copyright notice 2019
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Date of production, publication, distribution, manufacture, or copyright notice ©[2018]
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource (349 pages).
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
490 0# - SERIES STATEMENT
Series statement Film Theory in Media History
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Cover; Table of contents; Acknowledgments; Introduction; 1. A Novelistic Art of Space; 1.1. Sartre's ontology; 1.2. A novelistic ontology?; 1.3. Cinema: Novelistic consciousness qua actual nothingness; 1.4. An art of space; 1.5. An art of appearance for appearance's sake; 1.6. Space vs. language; 1.7. An art more novelistic than the novel itself; 2. Alexandre Astruc: An Early but Decisive Influence; 2.1. Kant's transcendental aesthetics -- and Heidegger's reinterpretation; 2.2. 'Dialectique et cinema'; 2.3. From and beyond Sartre's Heideggerian perspective; 2.4. The 'Camera-Stylo'
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note 3. Under and On the Volcano: Rohmer's Conversion3.1. The Other; 3.2. The triumph of exteriority over interiority; 3.3. Pulling phenomenology back to its Kantian roots; 3.4. Ethics; 3.5. God?; 3.6. Echoes of the conversion; 4. The Art of Nature; 4.1. To show and not to tell; 4.2. Natural beauty; 4.3. Immediate mediation; 4.4. Movement and narrative; 4.5. Mechanism as the background for freedom; 5. Ethics at the Heart of Aesthetics; 5.1. On abjection: The Wages of Fear; 5.2. Films with a soul; 5.3. Tragedy; 5.4. Solitude morale.
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note 5.5. The vertiginous moment: The reversal between inside and outside6. After Modernity: Rohmer's Classicism and Universalism; 6.1. Beyond modern art; 6.2. Classic = Modern; 6.3. An anti-evolutionist approach; 6.4. Universalism; 6.5. Authorship and mise en scene; Conclusion; About the Author; Index of Names.
506 0# - RESTRICTIONS ON ACCESS NOTE
Terms governing access Open Access
Standardized terminology for access restriction Unrestricted online access
Source of term star
520 8# - SUMMARY, ETC.
Summary, etc. In the 1950s, a group of critics writing for 'Cahiers du Cinema' launched one of the most successful and influential trends in the history of film criticism: auteur theory. Though these days it is frequently usually viewed as limited and a bit old-fashioned, a closer inspection of the hundreds of little-read articles by these critics reveals that the movement rested upon a much more layered and intriguing aesthetics of cinema. This book is a first step toward a serious reassessment of the mostly unspoken theoretical and aesthetic premises underlying auteur theory, built around a reconstruction of Eric Rohmer's early but decisive leadership of the group, whereby he laid down the foundations for the eventual emergence of their full-fledged auteurism.
546 ## - LANGUAGE NOTE
Language note Undetermined.
588 ## - SOURCE OF DESCRIPTION NOTE
Source of description note Description based on print version record.
600 17 - SUBJECT ADDED ENTRY--PERSONAL NAME
Personal name Rohmer, Éric,
Dates associated with a name 1920-2010.
Source of heading or term fast
Authority record control number or standard number (OCoLC)fst01734830
600 11 - SUBJECT ADDED ENTRY--PERSONAL NAME
Personal name Rohmer, Éric,
Dates associated with a name 1920-2010
General subdivision Criticism and interpretation.
600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME
Personal name Rohmer, Éric,
Dates associated with a name 1920-2010
General subdivision Criticism and interpretation.
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Filmtheorie
Source of heading or term gnd
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Auteur theory (Motion pictures)
Source of heading or term fast
Authority record control number or standard number (OCoLC)fst00821628
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element PERFORMING ARTS
General subdivision Film & Video
-- General.
Source of heading or term bisacsh
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element PERFORMING ARTS
General subdivision Reference.
Source of heading or term bisacsh
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Film theory & criticism.
Source of heading or term bicssc
650 #6 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Politique des auteurs (Cinema)
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Auteur theory (Motion pictures)
655 #7 - INDEX TERM--GENRE/FORM
Genre/form data or focus term Criticism, interpretation, etc.
Source of term fast
Authority record control number (OCoLC)fst01411635
655 #7 - INDEX TERM--GENRE/FORM
Genre/form data or focus term Electronic books.
Source of term local
710 2# - ADDED ENTRY--CORPORATE NAME
Corporate name or jurisdiction name as entry element Project Muse.
Relator term distributor
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title Book collections on Project MUSE.
856 40 - ELECTRONIC LOCATION AND ACCESS
Public note Full text available:
Uniform Resource Identifier <a href="https://muse.jhu.edu/book/66281/">https://muse.jhu.edu/book/66281/</a>

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