Soundings : (Record no. 232610)

MARC details
000 -LEADER
fixed length control field 04497cam a22004454a 4500
001 - CONTROL NUMBER
control field musev2_67346
003 - CONTROL NUMBER IDENTIFIER
control field MdBmJHUP
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20240815120759.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
fixed length control field m o d
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr||||||||nn|n
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 190114s2018 enk o 00 0 eng d
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER
Canceled/invalid LC control number 2018439580
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781862181540
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 1862181543
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)1111952045
040 ## - CATALOGING SOURCE
Original cataloging agency MdBmJHUP
Transcribing agency MdBmJHUP
245 00 - TITLE STATEMENT
Title Soundings :
Remainder of title Documentary film and the listening experience /
Statement of responsibility, etc. edited Geoffrey Cox and John Corner.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Huddersfield :
Name of producer, publisher, distributor, manufacturer University of Huddersfield Press,
Date of production, publication, distribution, manufacture, or copyright notice 2018.
264 #3 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Baltimore, Md. :
Name of producer, publisher, distributor, manufacturer Project MUSE,
Date of production, publication, distribution, manufacture, or copyright notice 2019
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Date of production, publication, distribution, manufacture, or copyright notice ©2018.
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource.
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Introduction / Geoffrey Cox -- The promotional imagination. Stories from a stay at the Arena Hotel / Will L Finch -- Weave me a rainbow : 'the march, the march of colour and pattern' : music and cinematography at the service of the creative promotion of the 1960s Scottish woollen industry / Geoffrey Cox -- Sonicules -- designing drugs with sound : approaches to sound design for film, audiovisual performance and interactive sonification / Radoslaw Rudnicki and Jude Brereton -- Foregronding the aesthetic : strategies and practices. Auralising action space : channelling a sense of play in documentary sound design / Simon Connor -- 'The film looks like how Ornette sounds' : Shirley Clarke's music documentary Ornette : made in America / Rosa Nogués -- Progress music / James Bulley -- Creative use of voice in non-fiction narrative film : an examination of the work Peter Mettler / Lars Koens and Demelza Kooij -- Documentarty film as a backdrop for active thinking / Ana Berkenhoff -- The unwanted sound of everything we think we want / Andrew Kötting -- Nationhood and conflict. The 'Appassionata' sonata in A diary for Timothy / Tsung-Han Tsai -- A 'symphony of Britain at war' or 'rhythm of workaday Britain'? : Len Lye's When the pie was opened (1941) and the musicalisation of warfare / Anita Jorge -- Building a sonic image of a nation : Finnish documentary and propaganda films in the early decades of sound film / Kaarina Kilpiö -- Raúl Ruiz's Now we're gonna call you brother and the problem of the people's sonic representation / Laura Jordán González and Nicolas Lema Habash -- Afterword / John Corner.
506 0# - RESTRICTIONS ON ACCESS NOTE
Terms governing access Open Access
Standardized terminology for access restriction Unrestricted online access
Source of term star
520 ## - SUMMARY, ETC.
Summary, etc. This book draws on the lived experience of sound's capacity to move and shake us in direct, subtle and profound ways through speech, location sound, and music in documentary film. The associative, connotative and sheer emotive power of sound has the capacity to move and shake us in a myriad of direct, subtle and often profound ways. The implications of this for its role as speech, location sound, and music in documentary film are far-reaching. The writers in this book draw on the lived experience of sound's resounding capacity as primary motivation for exploring these implications, united by the overarching theme of how listening is connected with acts of making sense both on its own terms and in conjunction with viewing. The resulting thirteen essays of Soundings: Documentary Film and the Listening Experience cover films made from WWII to the present day in locations across Europe and the Americas, and in styles ranging from political propaganda, industrial promotion and educative exposition, to more aesthetically-driven films taking their bearings from avant-garde art. The authors draw on their experience in scholarly research, practice-as-research, and in the aesthetic and technical practice of documentary filmmaking. This mix of perspectives aims to widen and deepen the outlook of the recent and growing academic interest in the topic of documentary film sound.
546 ## - LANGUAGE NOTE
Language note English.
588 ## - SOURCE OF DESCRIPTION NOTE
Source of description note Description based on print version record.
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Sound in motion pictures.
Source of heading or term fast
Authority record control number or standard number (OCoLC)fst01904742
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Documentary films.
Source of heading or term fast
Authority record control number or standard number (OCoLC)fst00896079
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element The arts.
Source of heading or term bicssc
650 #6 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Cinema
General subdivision Son.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Documentary films.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Sound in motion pictures.
655 #7 - INDEX TERM--GENRE/FORM
Genre/form data or focus term Electronic books.
Source of term local
710 2# - ADDED ENTRY--CORPORATE NAME
Corporate name or jurisdiction name as entry element Project Muse.
Relator term distributor
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title Book collections on Project MUSE.
856 40 - ELECTRONIC LOCATION AND ACCESS
Public note Full text available:
Uniform Resource Identifier <a href="https://muse.jhu.edu/book/67346/">https://muse.jhu.edu/book/67346/</a>

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