Visualizing Fascism : (Record no. 233241)

MARC details
000 -LEADER
fixed length control field 05369cam a22005414a 4500
001 - CONTROL NUMBER
control field musev2_73049
003 - CONTROL NUMBER IDENTIFIER
control field MdBmJHUP
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20240815120812.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
fixed length control field m o d
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
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008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 190722t20202020ncu o 00 0 eng d
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER
Canceled/invalid LC control number 2019023965
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781478004387
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9781478003120
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9781478090069
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9781478003762
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)1122687691
040 ## - CATALOGING SOURCE
Original cataloging agency MdBmJHUP
Transcribing agency MdBmJHUP
245 00 - TITLE STATEMENT
Title Visualizing Fascism :
Remainder of title The Twentieth-Century Rise of the Global Right /
Statement of responsibility, etc. Julia Adeney Thomas and Geoff Eley, editors.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Durham :
Name of producer, publisher, distributor, manufacturer Duke University Press,
Date of production, publication, distribution, manufacture, or copyright notice 2020.
264 #3 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Baltimore, Md. :
Name of producer, publisher, distributor, manufacturer Project MUSE,
Date of production, publication, distribution, manufacture, or copyright notice 2020
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Date of production, publication, distribution, manufacture, or copyright notice ©2020.
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource (336 pages).
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Introduction : a portable concept of fascism / Julia Adeney Thomas -- Subjects of a new visual order : fascist Media in 1930s China / Maggie Clinton -- Fascism carved in stone : monuments to loyal spirits in wartime Manchukuo / Paul D. Barclay -- Nazism, everydayness, and spectacle : the mass form in metropolitan modernity / Geoff Eley -- Five faces of fascism / Ruth Ben-Ghiat -- Facetime with Hitler / Lutz Koepnick -- Seeing through whiteness : late 1930s settler photography in Namibia under South African rule / Lorena Rizzo -- Revolution by redefinition : Japan's war without pictures / Julia Adeney Thomas -- Fascisms seen and unseen : the Netherlands, Japan, Indonesia, and the relationalities of imperial crisis / Ethan Mark -- Youth movements, nazism, and war : photography and the making of a Slovak future in World War II (1939-1944) // Bertrand Metton -- From antifascism to humanism : the legacies of Robert Capa's Spanish Civil War photography / Nadya Bair -- Heedless oblivion : curating architecture after World War II / Claire Zimmerman -- Conclusion.
506 0# - RESTRICTIONS ON ACCESS NOTE
Terms governing access Open Access
Standardized terminology for access restriction Unrestricted online access
Source of term star
520 ## - SUMMARY, ETC.
Summary, etc. "Visualizing Fascism explores various ways of tracing, displaying, viewing, and interacting with fascism, examining fascism as both a global and aesthetic phenomenon during the twentieth century. It emphasizes transnational and visual qualities in order to refigure ways of establishing visual languages, articulate commentaries on the dynamic nature of national identity, and form both supportive and challenging attitudes about the global right. In particular, this volume seeks to challenge the notion that fascism is primarily a national product of Italy, Japan, and Germany; rather it seeks to locate the rise of fascism and the global right in transnational networks connected by capitalism and imperialism. The collection contains twelve essays. In the introduction, Thomas examines the rise of global and aesthetic forms of fascism, ending with the formulation of the "portable concept of fascism"--Wherein fascism is defined more by its "energies" and "ideologies" than by its local manifestations. In two of the volume's early essays, Maggie Clinton and Paul D. Barclay examine the use of public imagery-modernist visuals in interwar China, and chureito, or loyal-spirit towers, in Japan-to envision and shore up support for nationalist ideologies. In her essay, Ruth Ben-Ghiat challenges the fascist objective to erase the agency of the individual in favor of the undifferentiated mass by examining images of faces taken from everyday life under fascist regimes. In another essay, Lorena Rizzo investigates fascist and imperialist entanglement in Southern Africa by examining photographs of settler colonialism in Namibia. The later essays historicize the interconnected visual and historical lineages within the Netherlands, Japan, Indonesia, Slovakia, and Spain-contexts that combine to create a common vocabulary for national identity making. In these essays, Ethan Mark, Bertrand Metton, and Nadya Bair investigate the actors and methods integral to creating a joint foundation for fascist aesthetics. In the second to last essay, Claire Zimmerman addresses the ways in which national and regional narrative building contributes to establishing various futures, accounting for the importance of understanding the implications behind elements of style and image when examining the visual rhetoric of fascism. This collection will be particularly suited to students"--
Assigning source Provided by publisher
588 ## - SOURCE OF DESCRIPTION NOTE
Source of description note Description based on print version record.
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Fascist aesthetics.
Source of heading or term fast
Authority record control number or standard number (OCoLC)fst00921594
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Fascism and culture.
Source of heading or term fast
Authority record control number or standard number (OCoLC)fst00921571
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Fascism.
Source of heading or term fast
Authority record control number or standard number (OCoLC)fst00921551
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element History
General subdivision Modern
-- 20th Century.
Source of heading or term bisacsh
650 #6 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Esthetique fasciste.
650 #6 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Fascisme et culture.
650 #6 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Fascisme
General subdivision Histoire
Chronological subdivision 20e siecle.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Fascist aesthetics.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Fascism and culture.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Fascism
General subdivision History
Chronological subdivision 20th century.
655 #7 - INDEX TERM--GENRE/FORM
Genre/form data or focus term History.
Source of term fast
Authority record control number (OCoLC)fst01411628
655 #7 - INDEX TERM--GENRE/FORM
Genre/form data or focus term Electronic books.
Source of term local
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Thomas, Julia Adeney,
Dates associated with a name 1958-
Relator term editor.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Eley, Geoff,
Dates associated with a name 1949-
Relator term editor.
710 2# - ADDED ENTRY--CORPORATE NAME
Corporate name or jurisdiction name as entry element Project Muse.
Relator term distributor
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title Book collections on Project MUSE.
856 40 - ELECTRONIC LOCATION AND ACCESS
Public note Full text available:
Uniform Resource Identifier <a href="https://muse.jhu.edu/book/73049/">https://muse.jhu.edu/book/73049/</a>

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