Atopological Trilogy: Deleuze and Guattari / (Record no. 234285)
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| 001 - CONTROL NUMBER | |
| control field | musev2_76484 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | MdBmJHUP |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20240815120832.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m o d |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
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| fixed length control field | 200729r20202015nyu o 00 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9780692403723 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)1181773569 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | MdBmJHUP |
| Transcribing agency | MdBmJHUP |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | B2430.D454 |
| Item number | A86 2015 |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Aracagok, Zafer, |
| Relator term | author. |
| 245 10 - TITLE STATEMENT | |
| Title | Atopological Trilogy: Deleuze and Guattari / |
| Statement of responsibility, etc. | Zafer Aracagök. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Baltimore, Maryland : |
| Name of producer, publisher, distributor, manufacturer | Project Muse, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2020 |
| 264 #3 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Baltimore, Md. : |
| Name of producer, publisher, distributor, manufacturer | Project MUSE, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2020 |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Date of production, publication, distribution, manufacture, or copyright notice | ©2020 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource (90 pages): |
| Other physical details | illustrations |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 500 ## - GENERAL NOTE | |
| General note | Issued as part of book collections on Project MUSE. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE | |
| Bibliography, etc. note | Includes bibliographical references (pages 67-69) |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Foreword: the undecidable / by Manola Antonioli -- Becoming-sexual of the sexual -- Sound, music, and schizo-incest -- Clinical and critical perversion. |
| 506 0# - RESTRICTIONS ON ACCESS NOTE | |
| Terms governing access | Open Access |
| Standardized terminology for access restriction | Unrestricted online access |
| Source of term | star |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Atopological Trilogy creates new concepts for Deleuze-Guattarian thought without any heed for sectarian, sermonising, or dutiful readings of the philosophers. In Part I of the trilogy, "Becoming-Sexual of the Sexual," Aracagök demonstrates the ways in which quantum theory and the concept of "complementarity" inform Deleuze and Guattari's thought, especially in relation to "becoming" in general and "becoming-woman" and "becoming-queer" more particularly. Aracagök argues that the ways in which the philosophers put forward a ban on "becoming-man" with a certain degree of undecidability encapsulates (albeit in a cryptic form) other becomings, the most important of which is becoming-queer, or rather, the becoming-sexual of the sexual.In Part II: "Deleuze on Sound, Music, and Schizo-Incest," Aracagök puts into resonance the sound, noise, and music (and the question) of schizo-incest with the intention of deterritorialising a notion of the meta-audible. If Kafka's story, "The Investigations of a Dog" leads us to a realm of the "formless" which cannot be heard without destroying what we know as "hearing," it also offers us a limit-experience of the meta-audible, which, when radicalised via the notions of "schizo-incest" and "self-shattering," creates a line of flight that escapes even from the line of flight itself. All these maneuvers pose a serious challenge to Deleuze and Guattari, who claim that despite all his investigations, Kafka's investigator dog is re-Oedipalised in the end. Proposing in the end a limit experience which Aracagök calls the "meta-audible," he shows that Kafka's more radical approach to sound creates a line of flight that escapes even from the line of flight itself.The final essay of the trilogy, "Clinical and Critical Perversion," begins with the 19th-century crisis of an abyss presumed to be yawning between mimesis and diegesis ever since Plato. According to Aracagök, this takes the form of a crisis of the "political," the repression of which becomes the mission of psychoanalytical discourse towards the end of the 19th century. This crisis finds another form of expression in George Büchner's unfinished 1836 novella Lenz, relative to the audibility of a "terrible voice which is usually called silence." If the disappearance of the "political" is related to the rise of psychoanalysis on the protocols of, first, hypnosis, and then, the "talking cure," both of which privilege the presumed form of the voice of the analyst over the analysand's silence (a psycho-politics?), Aracagök proposes re-distributing this process, calling renewed attention to the clinicalisation of perversion, along Deleuzian-Guattarian distinctions such as: surface and depth, critical and clinical, oedipal-incest and schizo-incest, leading to a re-evaluation of what Deleuze and Guattari might have meant by "homosexual-effusion" in their book Kafka: Toward a Minor Literature, all in order to deterritorialise the "political" under a new concept -- namely, critical perversion.Ultimately, Atopological Trilogy offers the reader no safe grounds for preserving not only a philosophical identity but also not any identity, if only to be able to let you float in the air without any guidance à la Kafka's "Red Indian." |
| 588 ## - SOURCE OF DESCRIPTION NOTE | |
| Source of description note | Description based on print version record. |
| 600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME | |
| Personal name | Guattari, Felix, |
| Dates associated with a name | 1930-1992. |
| 600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME | |
| Personal name | Deleuze, Gilles, |
| Dates associated with a name | 1925-1995. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Ontology. |
| 655 #7 - INDEX TERM--GENRE/FORM | |
| Genre/form data or focus term | Electronic books. |
| Source of term | local |
| 710 2# - ADDED ENTRY--CORPORATE NAME | |
| Corporate name or jurisdiction name as entry element | Project Muse, |
| Relator term | distributor. |
| 776 18 - ADDITIONAL PHYSICAL FORM ENTRY | |
| Relationship information | Print version: |
| International Standard Book Number | 9780692403723 |
| 710 2# - ADDED ENTRY--CORPORATE NAME | |
| Corporate name or jurisdiction name as entry element | Project Muse. |
| Relator term | distributor |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
| Uniform title | Book collections on Project MUSE. |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Public note | Full text available: |
| Uniform Resource Identifier | <a href="https://muse.jhu.edu/book/76484/">https://muse.jhu.edu/book/76484/</a> |
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