The Making of a Caribbean Avant-Garde : (Record no. 234311)

MARC details
000 -LEADER
fixed length control field 03365cam a22004094a 4500
001 - CONTROL NUMBER
control field musev2_77219
003 - CONTROL NUMBER IDENTIFIER
control field MdBmJHUP
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20240815120832.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
fixed length control field m o d
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr||||||||nn|n
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 200618s2020 inu o 00 0 eng d
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER
Canceled/invalid LC control number 2020940866
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781557539359
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 1557539359
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9781557539342
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)1181916915
040 ## - CATALOGING SOURCE
Original cataloging agency MdBmJHUP
Transcribing agency MdBmJHUP
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Hadchity, Therese Kaspersen,
Dates associated with a name 1963-
Relator term author.
245 14 - TITLE STATEMENT
Title The Making of a Caribbean Avant-Garde :
Remainder of title Postmodernism as Post-nationalism /
Statement of responsibility, etc. Therese Kaspersen Hadchity.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture West Lafayette :
Name of producer, publisher, distributor, manufacturer Purdue University Press,
Date of production, publication, distribution, manufacture, or copyright notice 2020.
264 #3 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Baltimore, Md. :
Name of producer, publisher, distributor, manufacturer Project MUSE,
Date of production, publication, distribution, manufacture, or copyright notice 2020
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Date of production, publication, distribution, manufacture, or copyright notice ©2020.
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource (322 pages).
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
490 0# - SERIES STATEMENT
Series statement Comparative cultural studies
506 0# - RESTRICTIONS ON ACCESS NOTE
Terms governing access Open Access
Standardized terminology for access restriction Unrestricted online access
Source of term star
520 ## - SUMMARY, ETC.
Summary, etc. "Focusing on the Anglophone Caribbean, The Making of a Caribbean Avant-Garde describes the rise and gradual consolidation of the visual arts avant-garde, which came to local and international attention in the 1990s. The book is centered on the critical and aesthetic strategies employed by this avant-garde to repudiate the previous generation's commitment to modernism and anti-colonialism. In three sections, it highlights the many converging factors, which have pushed this avant-garde to the forefront of the region's contemporary scene, and places it all in the context of growing dissatisfaction with the post-colonial state and its cultural policies. This generational transition has manifested itself not only in a departure from "traditional" in favor of "new" media (i.e., installation, performance, and video rather than painting and sculpture), but also in the advancement of a "post-nationalist postmodernism," which reaches for diasporic and cosmopolitan frames of reference. Section one outlines the features of a preceding "Creole modernism" and explains the different guises of post-nationalism in the region's contemporary art. In section two, its momentum is connected to the proliferation of independent art spaces and transnational networks, which connect artists across and beyond the region and open up possibilities unavailable to earlier generations. Section three demonstrates the impact of this conceptual and organizational evolution on the selection and exhibition of Caribbean art in the metropole. The Making of a Caribbean Avant-Garde is a case study in post-colonial cultural dynamics. It delivers an engaged and polemic portrayal of a generational and critical transition, which has brought a segment of the Anglophone Caribbean arts community together and successfully drawn it into the international arena, but which also, it is argued, has problematic political corollaries"--
Assigning source Provided by publisher.
588 ## - SOURCE OF DESCRIPTION NOTE
Source of description note Description based on print version record.
655 #7 - INDEX TERM--GENRE/FORM
Genre/form data or focus term Electronic books.
Source of term local
710 2# - ADDED ENTRY--CORPORATE NAME
Corporate name or jurisdiction name as entry element Project Muse.
Relator term distributor
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title Book collections on Project MUSE.
856 40 - ELECTRONIC LOCATION AND ACCESS
Public note Full text available:
Uniform Resource Identifier <a href="https://muse.jhu.edu/book/77219/">https://muse.jhu.edu/book/77219/</a>
945 ## - LOCAL PROCESSING INFORMATION (OCLC)
a Project MUSE - 2020 Complete
945 ## - LOCAL PROCESSING INFORMATION (OCLC)
a Project MUSE - 2020 Global Cultural Studies

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