Image Photograph / (Record no. 234319)

MARC details
000 -LEADER
fixed length control field 04984cam a22004454a 4500
001 - CONTROL NUMBER
control field musev2_76513
003 - CONTROL NUMBER IDENTIFIER
control field MdBmJHUP
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20240815120832.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
fixed length control field m o d
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr||||||||nn|n
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 200729r20202015nyu o 00 0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780988234079
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)1183377863
040 ## - CATALOGING SOURCE
Original cataloging agency MdBmJHUP
Transcribing agency MdBmJHUP
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number TR655
Item number .L335 2015
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Lafia, Marc,
Dates associated with a name 1955-
Relator term photographer.
240 10 - UNIFORM TITLE
Uniform title Photographs.
Form subheading Selections
245 10 - TITLE STATEMENT
Title Image Photograph /
Statement of responsibility, etc. Marc Lafia ; foreword by Daniel Coffeen.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Baltimore, Maryland :
Name of producer, publisher, distributor, manufacturer Project Muse,
Date of production, publication, distribution, manufacture, or copyright notice 2020
264 #3 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Baltimore, Md. :
Name of producer, publisher, distributor, manufacturer Project MUSE,
Date of production, publication, distribution, manufacture, or copyright notice 2020
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Date of production, publication, distribution, manufacture, or copyright notice ©2020
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource (310 pages):
Other physical details color illustrations
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
500 ## - GENERAL NOTE
General note Issued as part of book collections on Project MUSE.
506 0# - RESTRICTIONS ON ACCESS NOTE
Terms governing access Open Access
Standardized terminology for access restriction Unrestricted online access
Source of term star
520 ## - SUMMARY, ETC.
Summary, etc. Image Photograph is a co-production of punctum books and the Center for Transformative Media, Parsons The New School of Design. Lafia is redefining what it means to be a photographer in an age when everyone is living on both sides of the megapixel equation. These images challenge the boundaries between public and private space, as well as personal and universal truth. ~ Douglas Rushkoff Image-photograph is the impressive tour-de-force of a mind that is equally at ease in thinking through images and in photographing through words. For that alone, this is a must-read. But he does not stop there. Like the old gold-seeker of the past, Marc Lafia excavates the world of contemporary image-making and within the rubble, the debris of our digital age, he points to the only gold nugget left for us: the image-photograph. The latter is not just the image that we see, or the image that we construct: it is the image that we are. Nothing more, but also nothing less. ~ Chiara Bottici Marc Lafia's book seeks to map a new territory, to articulate the strange and beautiful new relationships between world, technology, image, and us. ~ Daniel Coffeen We no longer live in the society of the spectacle, passively seeing the world. Now we perform our very own spectacle in a society that demands it at every turn. We've become advertisements of ourselves, our own PR agents, continually putting on a performance and measuring it hour by hour. This is no longer the society of the spectacle but the society of performance. All events have become a pretense to create the image, to orchestrate an image of images that is us. We believe the image confers on us a kind of immortality: just as the artist believes her works collected by a major museum will do the same, we believe the network will forever host the archive we build everyday. The image that is us lives in the circulation of the network. Though a file, though virtual and malleable, made out of bits and instantly accessible to anyone who wants to find it around the world, this image that lives only lives on screen, as virtual as it might be, is a material fact. In its impression, its reception, its archivability, its remixability, the electronic image is today's photograph. Image Photograph is a book about, and of, this transformation of the image. In three essays -- a foreword by critic and philosopher, Daniel Coffeen; an essay of images and text that explores the varied rhetorics of the image; and a strictly visual essay -- the book presents a traversal through photography to arrive at a new understanding of images, what Lafia calls the image-photograph. As Coffeen states, Lafia takes up the prescribed space of the photograph and, by touring the new conditions of imaging, remaps the very space of photography. Which is to say, Lafia presents and examines imaging across a breadth of moods, tropes, and contexts in order to see and engage this new technology of image-seeing and image-making -- this image-photograph -- as it exists today in our age of electronic inscription and networked culture. At once artist book and critical theory, Image Photograph takes its direction from Walter Benjamin's Arcades, John Berger's Ways of Seeing and, more recently, Hito Steyerl's The Wretched of the Screen. Throughout it, Lafia not only writes about the image but constructs images -- and, finally, performs this new space of the image-photograph.
588 ## - SOURCE OF DESCRIPTION NOTE
Source of description note Description based on print version record.
600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME
Personal name Lafia, Marc,
Dates associated with a name 1955-
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Technology and the arts
General subdivision Social aspects.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Photography
General subdivision Philosophy.
655 #7 - INDEX TERM--GENRE/FORM
Genre/form data or focus term Electronic books.
Source of term local
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Coffeen, Daniel
Relator term writer of foreword.
710 2# - ADDED ENTRY--CORPORATE NAME
Corporate name or jurisdiction name as entry element Project Muse,
Relator term distributor.
776 18 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Print version:
International Standard Book Number 9780988234079
710 2# - ADDED ENTRY--CORPORATE NAME
Corporate name or jurisdiction name as entry element Project Muse.
Relator term distributor
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title Book collections on Project MUSE.
856 40 - ELECTRONIC LOCATION AND ACCESS
Public note Full text available:
Uniform Resource Identifier <a href="https://muse.jhu.edu/book/76513/">https://muse.jhu.edu/book/76513/</a>

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