Waste : (Record no. 234459)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 02934cam a22003614a 4500 |
| 001 - CONTROL NUMBER | |
| control field | musev2_77433 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | MdBmJHUP |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20240815120835.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m o d |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr||||||||nn|n |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 200511s2020 cau o 00 0 eng d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER | |
| Canceled/invalid LC control number | 2020938428 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781950192892 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| Canceled/invalid ISBN | 9781950192885 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)1195487324 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | MdBmJHUP |
| Transcribing agency | MdBmJHUP |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Rizzo, Jessica, |
| Relator term | author. |
| 245 10 - TITLE STATEMENT | |
| Title | Waste : |
| Remainder of title | Capitalism and the Dissolution of the Human in Twentieth-Century Theater / |
| Statement of responsibility, etc. | Jessica Rizzo. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Santa Barbara : |
| Name of producer, publisher, distributor, manufacturer | Punctum Books, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2020. |
| 264 #3 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Baltimore, Md. : |
| Name of producer, publisher, distributor, manufacturer | Project MUSE, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2020 |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Date of production, publication, distribution, manufacture, or copyright notice | ©2020. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource (176 pages). |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 506 0# - RESTRICTIONS ON ACCESS NOTE | |
| Terms governing access | Open Access |
| Standardized terminology for access restriction | Unrestricted online access |
| Source of term | star |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | "If at its most elemental, the theater is an art form of human bodies in space, what becomes of the theater as suicide capitalism pushes our world into a posthuman age? Waste: Capitalism and the Dissolution of the Human in Twentieth-Century Theater traces the twentieth-century theater's movement from dramaturgies of efficiency to dramaturgies of waste, beginning with the observation that the most salient feature of the human is her ability to be ashamed of herself, to experience herself as excess, the waster and the waste of the world. By examining theatrical representations of capitalism, war, climate change, and the permanent refugee crisis, Waste traces the ways in which these human contributions signal a tendency toward prodigality that terminates with self-destruction. Defying its promise of abundance for all, capitalism poisons all relationships with competition and fear. The desire to dominate in war is revealed to be the desire to obliterate the self in collective conflagration. The refugee crisis raises the urgent question of our responsibility to the other, but the climate crisis renders all anthropocentric questions moot.Waste proposes that the theater is the form best suited to confronting the human's perverse relationship to her finitude. Everything about the theater is suffused with existential shame, with an acute awareness of its provisionality. Unlike the dominant narrative of the human, which is bound up with a fantasy of infinite growth, the theater is not deluded about its nature, origins, and destiny. At its best, the theater gathers artist and audience in one space to die together for a little while, to consciously waste, not spend, their time"-- |
| Assigning source | Provided by publisher. |
| 588 ## - SOURCE OF DESCRIPTION NOTE | |
| Source of description note | Description based on print version record. |
| 655 #7 - INDEX TERM--GENRE/FORM | |
| Genre/form data or focus term | Electronic books. |
| Source of term | local |
| 710 2# - ADDED ENTRY--CORPORATE NAME | |
| Corporate name or jurisdiction name as entry element | Project Muse. |
| Relator term | distributor |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
| Uniform title | Book collections on Project MUSE. |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Public note | Full text available: |
| Uniform Resource Identifier | <a href="https://muse.jhu.edu/book/77433/">https://muse.jhu.edu/book/77433/</a> |
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