Portrait of a Young Painter : Pepe Zuniga and Mexico City's Rebel Generation / Mary Kay Vaughan.

By: Contributor(s): Material type: TextTextSeries: Book collections on Project MUSEPublisher: Durham : Duke University Press, 2015Manufacturer: Baltimore, Md. : Project MUSE, 2019Copyright date: ©2015Description: 1 online resource (311 pages): illustrations (some color)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780822376125
Subject(s): Genre/Form: Online resources:
Contents:
Lupe's voice -- Enchanting city/magical radio -- Pepe at school and with God, the Virgin, and the saints -- My father, my teacher -- The Zúñiga family as a radionovela -- "How difficult is adolescence!" -- "Five pesos, two pencils, and an eraser!" -- Exuberant interlude : painting at the Museo de Antropología -- Private struggle/public protest : 1965-1972 -- Subjectivity and the public sphere : the mature art of Jose Zúñiga.
Summary: This book adopts a biographical approach to understanding the culture surrounding the Mexico City youth rebellion of the 1960s. Mary Kay Vaughan's chronicle of the life of painter Pepe Zúñiga counters a literature that portrays post-1940 Mexican history as a series of uprisings against state repression, injustice, and social neglect that culminated in the student protests of 1968. Rendering Zúñiga's coming of age on the margins of formal politics, Vaughan depicts midcentury Mexico City as a culture of growing prosperity, state largesse, and a vibrant, transnationally-informed public life that produced a multifaceted youth movement brimming with creativity and criticism of convention. By discussing the influences that shaped Zuniga's worldview, she historicizes the process of subject formation and shows how doing so offers new perspectives on the events of 1968.
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Lupe's voice -- Enchanting city/magical radio -- Pepe at school and with God, the Virgin, and the saints -- My father, my teacher -- The Zúñiga family as a radionovela -- "How difficult is adolescence!" -- "Five pesos, two pencils, and an eraser!" -- Exuberant interlude : painting at the Museo de Antropología -- Private struggle/public protest : 1965-1972 -- Subjectivity and the public sphere : the mature art of Jose Zúñiga.

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This book adopts a biographical approach to understanding the culture surrounding the Mexico City youth rebellion of the 1960s. Mary Kay Vaughan's chronicle of the life of painter Pepe Zúñiga counters a literature that portrays post-1940 Mexican history as a series of uprisings against state repression, injustice, and social neglect that culminated in the student protests of 1968. Rendering Zúñiga's coming of age on the margins of formal politics, Vaughan depicts midcentury Mexico City as a culture of growing prosperity, state largesse, and a vibrant, transnationally-informed public life that produced a multifaceted youth movement brimming with creativity and criticism of convention. By discussing the influences that shaped Zuniga's worldview, she historicizes the process of subject formation and shows how doing so offers new perspectives on the events of 1968.

Eng.

Description based on print version record.

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