Parodies of Ownership : Hip-Hop Aesthetics and Intellectual Property Law / Richard L. Schur.

By: Contributor(s): Material type: TextTextSeries: Book collections on Project MUSEPublisher: Ann Arbor : University of Michigan Library, 2009Manufacturer: Baltimore, Md. : Project MUSE, 2011Copyright date: ©2009Description: 1 online resource (256 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780472024490
Subject(s): Genre/Form: DDC classification:
  • 346.7304/82 22
LOC classification:
  • KF4757 .S38 2009
Online resources:
Contents:
From chattel to intellectual property : legal foundations of African American cultural critique -- Critical race theory, signifyin', and cultural ownership -- Defining hip-hop aesthetics -- Claiming ownership in the post--civil rights era -- "Fair use" and the circulation of racialized texts -- "Transformative uses" : parody and memory -- From invisibility to erasure? The consequences of hip-hop aesthetics.
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Includes bibliographical references (p. 209-226) and index.

From chattel to intellectual property : legal foundations of African American cultural critique -- Critical race theory, signifyin', and cultural ownership -- Defining hip-hop aesthetics -- Claiming ownership in the post--civil rights era -- "Fair use" and the circulation of racialized texts -- "Transformative uses" : parody and memory -- From invisibility to erasure? The consequences of hip-hop aesthetics.

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