Experiencing Fiction : Judgments, Progressions, and the Rhetorical Theory of Narrative / James Phelan.

By: Contributor(s): Material type: TextTextSeries: Theory and interpretation of narrative | Book collections on Project MUSEPublisher: Columbus : Ohio State University Press, 2007Manufacturer: Baltimore, Md. : Project MUSE, 2021Copyright date: ©2007Description: 1 online resource (249 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780814272121
Subject(s): Genre/Form: Online resources:
Contents:
Judgments, progressions, and the rhetorical experience of narrative -- Jane Austen's experiment in narrative comedy : the beginning and early middle of Persuasion -- Sethe's choice and Toni Morrison's strategies : the beginning and middle of Beloved -- Chicago criticism, new criticism, cultural thematics, and rhetorical poetics -- Progressing toward surprise : Edith Wharton's "Roman fever" -- Delayed disclosure and the problem of other minds : Ian McEwan's Atonement -- Rhetorical aesthetics within rhetorical poetics -- Interlacings of narrative and lyric : Ernest Hemingway's "A clean, well-lighted place" and Sandra Cisneros's "Woman Hollering Creek" -- Narrative in the service of portraiture : Alice Munro's "Prue" and Ann Beattie's "Janus" -- Dramatic dialogue as lyric narrative : Robert Frost's "Home burial" -- Experiencing fiction and its corpus : extensions to nonfiction narrative and synthetic fiction.
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Judgments, progressions, and the rhetorical experience of narrative -- Jane Austen's experiment in narrative comedy : the beginning and early middle of Persuasion -- Sethe's choice and Toni Morrison's strategies : the beginning and middle of Beloved -- Chicago criticism, new criticism, cultural thematics, and rhetorical poetics -- Progressing toward surprise : Edith Wharton's "Roman fever" -- Delayed disclosure and the problem of other minds : Ian McEwan's Atonement -- Rhetorical aesthetics within rhetorical poetics -- Interlacings of narrative and lyric : Ernest Hemingway's "A clean, well-lighted place" and Sandra Cisneros's "Woman Hollering Creek" -- Narrative in the service of portraiture : Alice Munro's "Prue" and Ann Beattie's "Janus" -- Dramatic dialogue as lyric narrative : Robert Frost's "Home burial" -- Experiencing fiction and its corpus : extensions to nonfiction narrative and synthetic fiction.

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