Deciphering Race : White Anxiety, Racial Conflict, and the Turn to Fiction in Mid-Victorian English Prose / Laura Callanan.

By: Contributor(s): Material type: TextTextSeries: Book collections on Project MUSEPublisher: Columbus : Ohio State University Press, 2006Manufacturer: Baltimore, Md. : Project MUSE, 2015Copyright date: ©2006Description: 1 online resource (185 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780814272664
Subject(s): Genre/Form: Online resources:
Contents:
Aestheticizing Mid-Victorian Racial Tropism -- Toussaint and the Staging of Political Aesthetics in Normal: Harriet Martineaus The Hour and the Man (1841) -- Life Clothed in Forms: Radical Racism as Formalist Aesthetic in Robert Knoxs The Races of Men (1850) -- The Dialectic of Scapegoat and Fetish: Failed Catharsis in Charles Dickens and Wilkie Collinss The Perils of Certain English Prisoners (1857) -- So Help Me God, the Truth and Not the Truth: Hyper-Realism and the Taxonomy of Truth Seeking in the Royal Commissions Inquiry into the 1865 Jamaica Rebellion -- Race, Ruins, and Rebellion: Spatializing Racial @Normal: Otherness in James Grants First Love and Last Love (1868) -- De-Aestheticizing Sara(h) Ba(a)rtman(n).
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Aestheticizing Mid-Victorian Racial Tropism -- Toussaint and the Staging of Political Aesthetics in Normal: Harriet Martineaus The Hour and the Man (1841) -- Life Clothed in Forms: Radical Racism as Formalist Aesthetic in Robert Knoxs The Races of Men (1850) -- The Dialectic of Scapegoat and Fetish: Failed Catharsis in Charles Dickens and Wilkie Collinss The Perils of Certain English Prisoners (1857) -- So Help Me God, the Truth and Not the Truth: Hyper-Realism and the Taxonomy of Truth Seeking in the Royal Commissions Inquiry into the 1865 Jamaica Rebellion -- Race, Ruins, and Rebellion: Spatializing Racial @Normal: Otherness in James Grants First Love and Last Love (1868) -- De-Aestheticizing Sara(h) Ba(a)rtman(n).

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