When the Devil Knocks : The Congo Tradition and the Politics of Blackness in Twentieth-Century Panama / Renee Alexander Craft.

By: Contributor(s): Material type: TextTextSeries: Black performance and cultural criticism | Book collections on Project MUSEPublisher: Columbus : The Ohio State University Press, [2015]Manufacturer: Baltimore, Md. : Project MUSE, 2015Copyright date: ©[2015]Description: 1 online resource (288 pages): illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780814273722
Subject(s): Genre/Form: Online resources:
Contents:
Prologue. Playing (with the) Devil -- Introduction. Between the Devil and the deep blue sea -- "Una raza, dos etnias" : the politics of be(com)ing "Afropanameño" -- Christ, the Devil, and the terrain of blackness -- Baptizing the Devil : circum-local transmission and translation of culture -- "Los gringos vienen!" : "The gringos are coming! : race, gender, and tourism -- Dancing with the Devil at the crossroads : performance ethnography and staging thresholds of difference -- Dialogical performance, critical ethnography, and the "digital present."
Summary: "Despite its long history of encounters with colonialism, slavery, and neocolonialism, Panama continues to be an under-researched site of African Diaspora identity, culture, and performance. To address this void, Renee Alexander Craft examines an Afro-Latin Carnival performance tradition called "Congo" as it is enacted in the town of Portobelo, Panama--the nexus of trade in the Spanish colonial world. In When the Devil Knocks: The Congo Tradition and the Politics of Blackness in Twentieth-Century Panama, Alexander Craft draws on over a decade of critical ethnographic research to argue that Congo traditions tell the story of cimarronaje, charting self-liberated Africans' triumph over enslavement, their parody of the Spanish Crown and Catholic Church, their central values of communalism and self-determination, and their hard-won victories toward national inclusion and belonging. When the Devil Knocks analyzes the Congo tradition as a dynamic cultural, ritual, and identity performance that tells an important story about a Black cultural past while continuing to create itself in a Black cultural present. This book examines "Congo" within the history of twentieth century Panamanian etnia negra culture, politics, and representation, including its circulation within the political economy of contemporary tourism"-- Provided by publisher.
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Prologue. Playing (with the) Devil -- Introduction. Between the Devil and the deep blue sea -- "Una raza, dos etnias" : the politics of be(com)ing "Afropanameño" -- Christ, the Devil, and the terrain of blackness -- Baptizing the Devil : circum-local transmission and translation of culture -- "Los gringos vienen!" : "The gringos are coming! : race, gender, and tourism -- Dancing with the Devil at the crossroads : performance ethnography and staging thresholds of difference -- Dialogical performance, critical ethnography, and the "digital present."

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"Despite its long history of encounters with colonialism, slavery, and neocolonialism, Panama continues to be an under-researched site of African Diaspora identity, culture, and performance. To address this void, Renee Alexander Craft examines an Afro-Latin Carnival performance tradition called "Congo" as it is enacted in the town of Portobelo, Panama--the nexus of trade in the Spanish colonial world. In When the Devil Knocks: The Congo Tradition and the Politics of Blackness in Twentieth-Century Panama, Alexander Craft draws on over a decade of critical ethnographic research to argue that Congo traditions tell the story of cimarronaje, charting self-liberated Africans' triumph over enslavement, their parody of the Spanish Crown and Catholic Church, their central values of communalism and self-determination, and their hard-won victories toward national inclusion and belonging. When the Devil Knocks analyzes the Congo tradition as a dynamic cultural, ritual, and identity performance that tells an important story about a Black cultural past while continuing to create itself in a Black cultural present. This book examines "Congo" within the history of twentieth century Panamanian etnia negra culture, politics, and representation, including its circulation within the political economy of contemporary tourism"-- Provided by publisher.

English.

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