Fictions of Authority : Women Writers and Narrative Voice / Susan Sniader Lanser.

By: Contributor(s): Material type: TextTextSeries: Book collections on Project MUSEPublisher: London : Cornell University Press, [1992]Manufacturer: Baltimore, Md. : Project MUSE, 2018Copyright date: ©[1992]Description: 1 online resource (304 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781501723094
Subject(s): Genre/Form: Online resources:
Contents:
Toward a feminist poetics of narrative voice -- The rise of the novel, the fall of the voice: Juliette Catesby's silencing -- In a class by herself: self-silencing in Riccoboni's Abeille -- Sense and reticence: Jane Austen's "Indirections" -- Woman of Maxims: Geoge Eliot and the realist imperative -- Fictions of absence: feminism, modernism, Virginia Woolf -- Unspeakable voice: Toni Morrison's postmodern authority -- Dying for publicity: Mistriss Henley's self-silencing -- Romantic voice: the hero's text -- Jane Eyre's legacy: the powers and dangers of singularity -- African-American personal voice: "her hungriest lack" -- Solidarity and silence: Millenium Hall and The wrongs of woman -- Single resistances: the communal "I" in Gaskell, Jewett, and Audoux -- (Dif)fusions: modern fiction and communal form -- Full circle: Les Guerilleres.
Summary: Drawing on narratological and feminist theory, Susan Sniader Lanser explores patterns of narration in a wide range of novels by women of England, France, and the United States from the 1740s to the present. She sheds light on the history of "voice" as a narrative strategy and as a means of attaining social power. She considers the dynamics in personal voice in authors such as Mary Shelley, Charlotte Brontë, Zora Neale Hurston, and Jamaica Kincaid. In writers who attempt a "communal voice"--Including Mary Wollstonecraft, Elizabeth Gaskell, Joan Chase, and Monique Wittig--she finds innovative strategies that challenge the conventions of Western narrative
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Toward a feminist poetics of narrative voice -- The rise of the novel, the fall of the voice: Juliette Catesby's silencing -- In a class by herself: self-silencing in Riccoboni's Abeille -- Sense and reticence: Jane Austen's "Indirections" -- Woman of Maxims: Geoge Eliot and the realist imperative -- Fictions of absence: feminism, modernism, Virginia Woolf -- Unspeakable voice: Toni Morrison's postmodern authority -- Dying for publicity: Mistriss Henley's self-silencing -- Romantic voice: the hero's text -- Jane Eyre's legacy: the powers and dangers of singularity -- African-American personal voice: "her hungriest lack" -- Solidarity and silence: Millenium Hall and The wrongs of woman -- Single resistances: the communal "I" in Gaskell, Jewett, and Audoux -- (Dif)fusions: modern fiction and communal form -- Full circle: Les Guerilleres.

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Drawing on narratological and feminist theory, Susan Sniader Lanser explores patterns of narration in a wide range of novels by women of England, France, and the United States from the 1740s to the present. She sheds light on the history of "voice" as a narrative strategy and as a means of attaining social power. She considers the dynamics in personal voice in authors such as Mary Shelley, Charlotte Brontë, Zora Neale Hurston, and Jamaica Kincaid. In writers who attempt a "communal voice"--Including Mary Wollstonecraft, Elizabeth Gaskell, Joan Chase, and Monique Wittig--she finds innovative strategies that challenge the conventions of Western narrative

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