World Beats / Jimmy Fazzino.

By: Contributor(s): Material type: TextTextSeries: Re-mapping the transnational :a Dartmouth series in American studies World Beats | Book collections on Project MUSEPublisher: Hanover, New Hampshire : Dartmouth College Press, 2016Manufacturer: Baltimore, Md. : Project MUSE, 2019Copyright date: ©2016Description: 1 online resource (280 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781611689297
Subject(s): Genre/Form: Online resources:
Contents:
A world, a sweet attention : Jack Kerouac's subterranean itineraries -- The Beat manifesto : avant-garde poetics, Black Power, and the worlded circuits of African American Beat writing -- A multilayered inspiration : Philip Lamantia, Beat poet -- Cut-ups and composite cities : the Latin American origins of Naked Lunch -- For Africa ... for the world : Brion Gysin and the postcolonial Beat novel -- Columbus Avenue revisited : Maxine Hong Kingston and the post-Beat canon.
Summary: "This ... book explores Beat Generation writing from a transnational perspective, using the concept of worlding to place Beat literature in conversation with a far-reaching network of cultural and political formations. Countering the charge that the Beats abroad were at best naïve tourists seeking exoticism for exoticism's sake, World Beats finds that these writers propelled a highly politicized agenda that sought to use the tools of the earlier avant-garde to undermine Cold War and postcolonial ideologies and offer a new vision of engaged literature. With fresh interpretations of central Beat authors Jack Kerouac, Allen Ginsberg, and William Burroughs - as well as usually marginalized writers like Philip Lamantia, Ted Joans, and Brion Gysin - World Beats moves beyond national, continental, or hemispheric frames to show that embedded within Beat writing is an essential universality that brought America to the world and the world to American literature"--From publisher's description.
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A world, a sweet attention : Jack Kerouac's subterranean itineraries -- The Beat manifesto : avant-garde poetics, Black Power, and the worlded circuits of African American Beat writing -- A multilayered inspiration : Philip Lamantia, Beat poet -- Cut-ups and composite cities : the Latin American origins of Naked Lunch -- For Africa ... for the world : Brion Gysin and the postcolonial Beat novel -- Columbus Avenue revisited : Maxine Hong Kingston and the post-Beat canon.

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"This ... book explores Beat Generation writing from a transnational perspective, using the concept of worlding to place Beat literature in conversation with a far-reaching network of cultural and political formations. Countering the charge that the Beats abroad were at best naïve tourists seeking exoticism for exoticism's sake, World Beats finds that these writers propelled a highly politicized agenda that sought to use the tools of the earlier avant-garde to undermine Cold War and postcolonial ideologies and offer a new vision of engaged literature. With fresh interpretations of central Beat authors Jack Kerouac, Allen Ginsberg, and William Burroughs - as well as usually marginalized writers like Philip Lamantia, Ted Joans, and Brion Gysin - World Beats moves beyond national, continental, or hemispheric frames to show that embedded within Beat writing is an essential universality that brought America to the world and the world to American literature"--From publisher's description.

English.

Description based on print version record.

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