Borrowed Forms : The Music and Ethics of Transnational Fiction / Kathryn Lachman.
Material type:
TextSeries: Book collections on Project MUSEPublisher: Liverpool : Liverpool University Press, 2014Manufacturer: Baltimore, Md. : Project MUSE, 2020Copyright date: ©2014Description: 1 online resource (214 pages)Content type: - text
- computer
- online resource
- 9781781385968
- Musik
- Erzähltechnik
- Transnationalisierung
- Roman
- Music and transnationalism
- Music and literature
- Literature and transnationalism
- BIOGRAPHY & AUTOBIOGRAPHY -- Literary
- Literary studies: post-colonial literature
- Musique et transnationalisme
- Litterature et transnationalisme
- Musique et litterature -- Histoire -- 20e siecle
- Roman -- 20e siecle -- Histoire et critique -- Theorie, etc
- Music and transnationalism
- Literature and transnationalism
- Music and literature -- History -- 20th century
- Fiction -- 20th century -- History and criticism -- Theory, etc
From Mikhail Bakhit to Maryse Conde : the problems of literary polyphony -- Edward Said and Assia Djebar : Counterpoint and the practice of comparative literature -- Glenn Gould and the birth of the author : variation and performance in Nancy Huston's Les variations Goldberg -- Opera and the limits of representation in J.M. Coetzee's Disgrace.
Open Access Unrestricted online access star
A pioneering, interdisciplinary study of how transnational novelists and critics use music as a critical device to structure narrative and to model ethical relations.
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