The End of Modernism : Elias Canetti's Auto-da-Fé / William Collins Donahue

By: Contributor(s): Material type: TextTextSeries: Book collections on Project MUSEPublisher: Chapel Hill : University of North Carolina Press, 2020Manufacturer: Baltimore, Md. : Project MUSE, 2020Copyright date: ©2020Description: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781469657431
Subject(s): Genre/Form: Online resources: Summary: Nobel laureate Elias Canetti wrote his novel "Auto-da-Fé" ("Die Blendung") when he and the twentieth century were still quite young. Rooted in the cultural crises of the Weimar period, "Auto-da-Fé" first received critical acclaim abroad—in England, France, and the United States—where it continues to fascinate readers of subsequent generations. "The End of Modernism" places this work in its cultural and philosophical contexts, situating the novel not only in relation to Canetti's considerable body of social thought, but also within larger debates on Freud and Freudianism, misogyny and modernism's "fragmented subject," anti-Semitism and the failure of humanism, contemporary philosophy and philosophical fads, and traditionalist notions of literature and escapist conceptions of history. "The End of Modernism" portrays "Auto-da-Fé" as an exemplum of "analytic modernism," and in this sense a crucial endpoint in the progression of postwar conceptions of literary modernism.
Tags from this library: No tags from this library for this title. Log in to add tags.
Star ratings
    Average rating: 0.0 (0 votes)
No physical items for this record

Open Access Unrestricted online access star

Nobel laureate Elias Canetti wrote his novel "Auto-da-Fé" ("Die Blendung") when he and the twentieth century were still quite young. Rooted in the cultural crises of the Weimar period, "Auto-da-Fé" first received critical acclaim abroad—in England, France, and the United States—where it continues to fascinate readers of subsequent generations. "The End of Modernism" places this work in its cultural and philosophical contexts, situating the novel not only in relation to Canetti's considerable body of social thought, but also within larger debates on Freud and Freudianism, misogyny and modernism's "fragmented subject," anti-Semitism and the failure of humanism, contemporary philosophy and philosophical fads, and traditionalist notions of literature and escapist conceptions of history. "The End of Modernism" portrays "Auto-da-Fé" as an exemplum of "analytic modernism," and in this sense a crucial endpoint in the progression of postwar conceptions of literary modernism.

Description based on print version record.

There are no comments on this title.

to post a comment.