Music divided [electronic resource] : Bartók's legacy in cold war culture / Danielle Fosler-Lussier.

By: Contributor(s): Material type: TextTextSeries: California studies in 20th-century music ; 7.Publication details: Berkeley : University of California Press, c2007.Description: xx, 229 p. : ill., musicSubject(s): Genre/Form: DDC classification:
  • 780.92 22
LOC classification:
  • ML410.B26 F67 2007eb
Online resources:
Contents:
Bartók's Concerto for orchestra and the demise of Hungary's "third road" -- A compromised composer : Bartók's music and Western Europe's fresh start -- "Bartók is ours" : the Voice of America and Hungarian control over Bartók's legacy -- Bartók and his publics : defining the "modern classic" -- Beyond the folk song; or, what was Hungarian socialist realist music? -- The "Bartók question" and the politics of dissent : the case of András Mihály -- Epilogue East : Bartók's difficult truths and the Hungarian revolution of 1956 -- Epilogue West : Bartók's legacy and George Rochberg's postmodernity.
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Includes bibliographical references (p. 207-219) and index.

Bartók's Concerto for orchestra and the demise of Hungary's "third road" -- A compromised composer : Bartók's music and Western Europe's fresh start -- "Bartók is ours" : the Voice of America and Hungarian control over Bartók's legacy -- Bartók and his publics : defining the "modern classic" -- Beyond the folk song; or, what was Hungarian socialist realist music? -- The "Bartók question" and the politics of dissent : the case of András Mihály -- Epilogue East : Bartók's difficult truths and the Hungarian revolution of 1956 -- Epilogue West : Bartók's legacy and George Rochberg's postmodernity.

Electronic reproduction. Palo Alto, Calif. : ebrary, 2013. Available via World Wide Web. Access may be limited to ebrary affiliated libraries.

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