Who hears in Shakespeare? auditory world, stage and screen / [electronic resource] : editors, Laury Magnus, Walter W. Cannon. - Madison,NJ : Lanham, Md. : Fairleigh Dickinson University Press ; Rowman & Littlefield, c2012. - xxxiv, 249 p. : ill.

Includes bibliographical references and index.

Why was the Globe round? / Andrew Gurr -- Guarded, unguarded, and unguardable speech in late Renaissance drama / James Hirsh -- Hearing complexity : speech, reticence, and the construction of character / Walter W. Cannon -- If this be worth your hearing : theorizing gossip on Shakespeare's stage / Jennifer Holl -- Mimetic hearing and meta-hearing in Hamlet / David Bevington -- Hearing and overhearing in The tempest / David Bevington -- Asides and multiple audiences in The merchant of Venice / Anthony Burton -- And now behold the meaning : audience, interpretation, and translation in All's well that ends well and Henry V / Kathleen Kalpin Smith -- Hearing power in Measure for measure / Bernice W. Kliman -- Hark, a word in your ear : whispers, asides, and interpretation in Troilus and Cressida / Nova Myhill -- Mutes or audience to this act : eavesdroppers in Branagh's Shakespeare films / Philippa Sheppard -- Overhearing Malvolio for pleasure or pity : the letter scene and the dark house scene in Twelfth night on stage and screen / Gayle Gaskill -- But mark his gesture : hearing and seeing in Othello's eavesdropping scene / Erin Minear.


Electronic reproduction.
Palo Alto, Calif. :
ebrary,
2011.
Available via World Wide Web.
Access may be limited to ebrary affiliated libraries.






Shakespeare, William, 1564-1616 --Dramatic production.
Shakespeare, William, 1564-1616 --Film adaptations.


Speech in literature.
Listening in literature.
Voice in literature.
Oral communication in literature.


Electronic books.

PR3091 / .W47 2012eb

792.9/5