TY  - BOOK
AU  - Tompkins,Cynthia
ED  - ebrary, Inc.
TI  - Experimental Latin American cinema: history and aesthetics 
AV  - PN1993.5.L3 T75 2013eb
U1  - 791.43098 23
PY  - 2013///
CY  - Austin
PB  - University of Texas Press
KW  - Experimental films
KW  - Latin America
KW  - History and criticism
KW  - Electronic books
KW  - local
N1  - Includes bibliographical references and index; Introduction: mise-en-scene, a seemingly international staging -- A neonoir skew to the action-image. A shimmering suture: Fabián Bielinsky's epileptic El aura -- Slippery criminal pleasures: intermediality and voyeurism in Jorge Furtado's O homem que copiava -- Endless quest: chasing sex, lies, and money at the gates of hell in Heitor Dhalia's O cheiro do ralo -- Road movies. The paradoxical effect of the documentary: Walter Salles's Central do Brasil -- Twin piques: the double discourse of Carlos Sorín's El camino de San Diego -- Orphans' solidarity: María Victoria Menis's El cielito -- Drama. Sculpting time: Inês de Oliveira Cézar's Como pasan las horas -- The past engulfs the present: Josue Mendez's Días de Santiago -- Experimental auteurism. Whether or not to end one's life: Carlos Reygadas's Japón -- Crime and self-inflicted punishment: Carlos Reygadas's Batalla en El cielo -- Experimental auteurism and intertextuality. The miracle of female bonding in patriarchal society: Carlos Reygadas's Stellet licht (2008) -- Cyclical scapegoating: Inês de Oliveira Cézar's Extranjera -- The irrevocable nature of curses: Inês de Oliveira Cézar's El recuento de Los Daños -- Splintered mirrors, echoes, and reverberations: Fernando Pérez Valdés's Madrigal -- Experimental pseudo-documentary. Room with a view: Fernando Pérez Valdés's Suite Habana -- Life is and is not: Paz Encina's Hamaca Paraguaya -- Conclusion: possible futures; Electronic reproduction; Palo Alto, Calif.; ebrary; 2013; Available via World Wide Web; Access may be limited to ebrary affiliated libraries
UR  - http://site.ebrary.com/lib/daystar/Doc?id=10656988
ER  -