TY  - BOOK
AU  - Wilson,James F.
ED  - Project Muse.
TI  - Bulldaggers, Pansies, and Chocolate Babies : : Performance, Race, and Sexuality in the Harlem Renaissance / 
T2  - Triangulations: lesbian/gay/queer theater/drama/performance
SN  - 9780472026968
PY  - 2010///]
CY  - Ann Arbor
PB  - The University of Michigan Press
KW  - Drama
KW  - amerikanisches
KW  - Afroamerikanische Autoren
KW  - Geschichte 20. Jh
KW  - idsbb
KW  - Theater
KW  - afroamerikanisches
KW  - Harlem Renaissance
KW  - fast
KW  - Sex in the theater
KW  - Race in literature
KW  - Intellectual life
KW  - American drama
KW  - African American authors
KW  - African Americans
KW  - African Americans in the performing arts
KW  - African Americans in literature
KW  - DRAMA
KW  - American
KW  - bisacsh
KW  - SOCIAL SCIENCE
KW  - Gay Studies
KW  - aat
KW  - Sexualite au theâtre
KW  - Race dans la litterature
KW  - Noirs americains dans la litterature
KW  - Noirs americains
KW  - New York (État)
KW  - New York
KW  - Vie intellectuelle
KW  - Noirs americains dans les arts du spectacle
KW  - Histoire
KW  - 20e siecle
KW  - Theâtre americain
KW  - Histoire et critique
KW  - Auteurs noirs americains
KW  - Harlem (New York, N.Y.)
KW  - 20th century
KW  - New York (State)
KW  - History
KW  - History and criticism
KW  - Harlem
KW  - Criticism, interpretation, etc
KW  - Electronic books.
KW  - local
N1  - Introduction: "It's getting dark on old Broadway" -- "Gimme a pigfoot and a bottle of beer": parties, performances, and privacy in the "other" Harlem Renaissance(s) -- "Harlem on my mind": New York's black belt on the Great White Way -- "That's the kind of gal I am": drag balls, "sexual perversion," and David Belasco's Lulu Belle -- "Hottentot potentates": the potent and hot performances of Florence Mills and Ethel Waters -- "In my well of loneliness": Gladys Bentley's Bulldykin' blues -- Conclusion: "you've seen Harlem at its best"; Open Access
N2  - The gay and lesbian presence in black entertainment in Harlem nightclubs, speakeasies, rent parties, and Broadway stages
UR  - https://muse.jhu.edu/book/1102/
ER  -