TY  - BOOK
AU  - Milton,Cynthia E.
ED  - Project Muse.
TI  - Art from a Fractured Past : : Memory and Truth-Telling in Post-Shining Path Peru / 
SN  - 9780822377467
PY  - 2014///
CY  - Durham
PB  - Duke University Press
KW  - Kollektivt minne
KW  - sao
KW  - Politiska förhållanden
KW  - historia
KW  - Politiskt våld
KW  - Konstarterna
KW  - politiska aspekter
KW  - Politics and government
KW  - fast
KW  - Collective memory in art
KW  - Arts
KW  - Political aspects
KW  - ART
KW  - Reference
KW  - bisacsh
KW  - Performance
KW  - Regional and national history
KW  - bicssc
KW  - Humanities
KW  - History
KW  - History of the Americas
KW  - Memoire collective dans l'art
KW  - Aspect politique
KW  - Perou
KW  - Peru
KW  - 1980-
KW  - Essais
KW  - rvmgf
KW  - Essays
KW  - lcgft
KW  - essays
KW  - aat
KW  - Essay
KW  - Electronic books.
KW  - local
N1  - Images of truth : rescuing memories of Peru's internal war through art / by Cynthia E. Milton -- Chungui : ethnographic drawings of violence and traces of memory / by Edilberto Jimenez Quispe -- Narrating stories, representing memories : retablos and violence in Peru / by María Eugenia Ulfe -- Violence, guilt, and repetition : Alonso Cueto's novel La hora azul / by Víctor Vich -- Rupay : (Hi)stories of political violence in Peru, 1980-1984 / by Luis Rossell, Alfredo Villar, and Jesús Cossio -- Ayacuchano cinema and the filming of violence : interview with Palito Ortega Matute / by Ponciano del Pino -- Commemorative paths in Sacsamarca / by Ricardo Caro Cárdenas -- Colliding with memory : Grupo Cultural Yuyachkani's "Sin Título, Tecnica Mixta" / by Cynthia M. Garza -- The "voice of the victims" : testimonial songs in rural Ayacucho? / by Jonathan Ritter -- The artist's truth : The post-Auschwitz predicament after Latin America's age of dirty wars / by Steve J. Stern; Open Access
N2  - Peru's Truth and Reconciliation Commission not only documented the political violence of the 1980s and 1990s but also gave Peruvians a unique opportunity to examine the causes and nature of that violence. In Art from a Fractured Past, scholars and artists expand on the commission's work, arguing for broadening the definition of the testimonial to include various forms of artistic production as documentary evidence. Their innovative focus on representation offers new and compelling perspectives on how Peruvians experienced those years and how they have attempted to come to terms with the memories and legacies of violence. Their findings about Peru offer insight into questions of art, memory, and truth that resonate throughout Latin America in the wake of "dirty wars" of the last half century. Exploring diverse works of art, the contributors show that art, not constrained by literal truth, can generate new opportunities for empathetic understanding and solidarity
UR  - https://muse.jhu.edu/book/64012/
ER  -