TY  - BOOK
AU  - Tratner,Michael
ED  - Project Muse.
TI  - Crowd Scenes : : Movies and Mass Politics / 
SN  - 9780823229017
PY  - 2008///
CY  - New York
PB  - Fordham University Press
KW  - Film
KW  - swd
KW  - Massenpsychologie
KW  - idsbb
KW  - Motiv
KW  - Masse (Soziol.)
KW  - Masse
KW  - (Soziol.)
KW  - gnd
KW  - Motion pictures
KW  - Political aspects
KW  - fast
KW  - Crowds in motion pictures
KW  - PERFORMING ARTS
KW  - Film & Video
KW  - History & Criticism
KW  - bisacsh
KW  - Media studies
KW  - bicssc
KW  - Foules au cinema
KW  - Electronic books.
KW  - local
N1  - Movies and the history of crowd psychology -- Collective spectatorship -- Constructing public institutions and private sexuality : the birth of a nation and Intolerance -- The passion of mass politics in the most popular love stories -- Loving the crowd : transformations of gender in early Soviet and Nazi films -- From love of the state to the state of love : Fritz Lang's move from Weimar to Hollywood; Open Access
N2  - The movies and the masses erupted on the world stage together. In a few decades around the turn of the twentieth century, millions of persons who rarely could afford a night at the theater and had never voted in an election became regular paying customers at movie palaces and proud members of new political parties. The question of how to represent these new masses fascinated and plagued politicians and filmmakers alike. Michael Tratner examines the representations of masses--the crowd scenes--in Hollywood films from The Birth of a Nation through such popular love stories as Gone with the Wind, The Sound of Music, and Dr. Zhivago. He then contrasts these with similar scenes in early Soviet and Nazi films. What emerges is a political debate being carried out in filmic style. In both sets of films, the crowd is represented as a seething cauldron of emotions
UR  - https://muse.jhu.edu/book/66746/
ER  -