Pantenburg, Volker,  1973- <br/><br/>
Farocki/Godard :   Film as Theory /  
Volker Pantenburg ; translated by Micheal Turnbull. 
 - 1 online resource (348 pages):   illustrations. 
 - IKKM books ;  volume 25 Film Culture in Transition .
 - Schriften des Internationalen Kollegs für Kulturtechnikforschung und Medienphilosophie ;  Bd. 25. Film culture in transition. Book collections on Project MUSE. .
<br/><br/> "Originally published as 'Volker Pantenburg, Film als Theorie. Bildforschung bei Harun Farocki und Jean-Luc Godard', transcript Verlag, 2006"--Title page verso.  Issued as part of book collections on Project MUSE. 
<br/><br/>Includes bibliographical references (pages 263-275) and indexes. 
<br/><br/>Introduction: Two Image Researchers -- 1. Le film qui pense: Image, Theory, Practice -- Film as a "Concrete Medium" -- Film Theories / Film as Theory -- Difference and Theory -- Montage and Cinematic Thinking -- 2. The Camera as Brush -- Film and Painting: Narrating with Images: Breathless -- Exploding the Museum: Pierrot le fou -- Arranging Things: Still Life -- Processing Images: Passion -- 3. Deviation as Norm -- Notes on the Essay Film -- 4. Cut -- Interlude in the Editing Room: What an Editing Room is: Interface -- Montage, toujours: JLG/JLG -- 5. Taking Pictures -- Photography and Film: Displacing: The Carabineers -- Rendering: Before Your Eyes Vietnam -- Surveying: Images of the World and The Inscription of War -- 6. Two or Three Ways of Speaking with the Hands: Asking Oneself: La Chinoise / Vent d'est -- Offering Oneself: Nouvelle vague -- Wxpressing Oneself: Georg K. Glaser / The Expression of Hands -- Conclusion. 
<br/><br/> Open Access 
<br/><br/> This book brings together two major filmmakers--German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard--to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create "film as theory." 
<br/><br/><label>ISBN: </label>9789048527557 
<br/><br/><label>Subjects--Personal Names: </label><br/>Farocki, Harun--Criticism and interpretation.<br/>Godard, Jean-Luc, 1930- --Criticism and interpretation.
<br/><br/><label>Subjects--Topical Terms: </label><br/>Motion pictures--Philosophy.
<br/><br/><label>Index Terms--Genre/Form: </label><br/>Electronic books. 
<br/><br/><label>LC Class. No.: </label>PN1998.3.F365  / P3613 2015 
<br/><br/><label>Dewey Class. No.: </label>791