TY  - BOOK
AU  - Lundemo,Trond
AU  - Blom,Ina
AU  - Rossaak,Eivind
ED  - Project Muse.
TI  - Memory in Motion : : Archives, Technology, and the Social / 
T2  - Recursions : theories of media, materiality, and cultural techniques
SN  - 9789048532063
PY  - 2017///]
CY  - Amsterdam
PB  - Amsterdam University Press
KW  - Neue Medien
KW  - gnd
KW  - Soziale Software
KW  - Archiv
KW  - Gedenken
KW  - Kollektives Gedächtnis
KW  - Identity (Psychology) and mass media
KW  - fast
KW  - Digital media
KW  - Social aspects
KW  - Collective memory
KW  - Archives
KW  - Records
KW  - SOCIAL SCIENCE
KW  - General
KW  - bisacsh
KW  - Identite (Psychologie) et medias
KW  - Medias numeriques
KW  - Aspect social
KW  - Memoire collective
KW  - Electronic books.
KW  - local
N1  - Machine generated contents note; Oralities --; ch. One; Èlectrified Voices': Non-Human Agencies of Socio-Cultural Memory; Wolfgang Ernst --; ch. Two; Can Languages be Saved? Linguistic Heritage and the Moving Archive; Sonia Matos --; Softwares --; ch. Three; Big Diff, Granularity, Incoherence, and Production in the Github Software Repository; Stuart Sharples --; ch. Four; Post-Archival Constellation: The Archive under the Technical Conditions of Computational Media; David M. Berry --; Lives --; ch. Five; Planetary Goodbyes: Post-History and Future Memories of an Ecological Past; Jussi Parikka --; ch. Six; Video Water, Video Life, Videosociality; Ina Blom --; ch. Seven; FileLife: Constant, Kurenniemi, and the Question of Living Archives; Eivind Rossaak --; Images --; ch. Eight; Mapping the World: Les Archives de la Planete and the Mobilization of Memory; Trond Lundemo --; ch. Nine; Stills from a Film That Was Never Made: Cinema, Gesture, Memory; Pasi Valiaho --; ch. Ten; Archival Promise of the Biometric Passport; Liv Hausken --; Socialities --; ch. Eleven; Neomonadology of Social (Memory) Production; Tiziana Terranova --; ch. Twelve; On the Synthesis of Social Memories; Yuk Hui; Open Access
N2  - How should we understand social memory in the age of new media? Classic sociology described the ways in which social memory was enacted through ritual, language art, architecture and institution - phenomena whose persistence over time and whose capacity for a shared storing of the past was contrasted with fleeting individual memory. Society is memory, Émile Durkheim stated. However, today's new time technologies compel us to rethink this concept of memory and its emphasis on a shared past. For in the age of digital computing, instant updating and transfer functions and interconnection through real time networks give an unprecedented priority to the present and the future, while challenging the very distinction between individual and collective memory. New media technologies raise the question of the temporalities of memory to a principle, challenging not just the classic description of social memory, but also the social ontology that it presupposes. 'Memory in Motion: Archives, Technology and the Social' discusses the new technologies of memory from perspectives that explicitly investigate their impact on the very conceptualization of the social
UR  - https://muse.jhu.edu/book/66527/
ER  -