TY  - BOOK
ED  - Project Muse.
TI  - Painting and Publishing as Cultural Industries : : The Fabric of Creativity in the Dutch Republic, 1580-1800 / 
T2  - Amsterdam studies in the Dutch golden age
SN  - 9789048524112
PY  - 2017///]
CY  - Amsterdam
PB  - Amsterdam University Press
KW  - Wirtschaft
KW  - gnd
KW  - Malerei
KW  - Buchdruck
KW  - Branche
KW  - Publishers and publishing
KW  - fast
KW  - Painting
KW  - Art
KW  - Economic aspects
KW  - Art and industry
KW  - ART
KW  - General
KW  - bisacsh
KW  - Peinture
KW  - Pays-Bas
KW  - Histoire
KW  - Art et industrie
KW  - Aspect economique
KW  - Netherlands
KW  - History
KW  - Niederlande
KW  - Electronic books.
KW  - local
N1  - Introduction -- Part I. Publishing -- 1580-1610: window of opportunity -- 1610-1650: unlocking potential -- 1610-1650: buzz and pipelines -- 1650-1800: mature markets -- Part II. Painting -- 1580-1610: a period of transition -- 1610-1650: unlocking potential -- 1610-1650: buzz and pipelines -- 1650-1800: mature markets -- Conclusion; Open Access
N2  - The Dutch Republic was a cultural powerhouse in the modern era, producing lasting masterpieces in painting and publishing-and in the process transforming those fields from modest trades to booming industries. This book asks the question of how such a small nation could become such a major player in those fields. Claartje Rasterhoff shows how industrial organisations played a role in shaping patterns of growth and innovations. As early modern Dutch cultural industries were concentrated geographically, highly networked, and institutionally embedded, they were able to reduce uncertainty in the marketplace and stimulate the commercial and creative potential of painters and publishers-though those successes eventually came up against the limits of a saturated domestic market and an aversion to risk on the part of producers that ultimately brought an end to the boom
UR  - https://muse.jhu.edu/book/66537/
ER  -