TY  - BOOK
AU  - Kesting,Marietta
ED  - Project Muse.
TI  - Affective Images : : Post-apartheid Documentary Perspectives / 
SN  - 9781438467863
PY  - 2017///]
CY  - Albany
PB  - State University of New York Press
KW  - Politics and government
KW  - fast
KW  - Mass media
KW  - Documentary mass media
KW  - Post-apartheid era in mass media
KW  - HISTORY
KW  - Africa
KW  - South
KW  - Republic of South Africa
KW  - bisacsh
KW  - General
KW  - Medias documentaires
KW  - Afrique du Sud
KW  - Histoire
KW  - Ère post-apartheid dans les medias
KW  - South Africa
KW  - History
KW  - Politique et gouvernement
KW  - 20e siecle
KW  - 20th century
KW  - In mass media
KW  - Electronic books.
KW  - local
N1  - Introduction -- Mapping context and place -- Affective images. Photographs of black suffering and violence -- Affective images in the "new" South Africa -- Burning questions. The "Burning man" -- The afterlife of Nhamuave's photograph -- Photographic speech acts. Migrant life and the image -- Documentary participatory photography and politics -- In/visibilities and reenactments. De-identification and multiplication. From documentary to fiction and back: District 9 -- Conclusion: affective images of belonging; Open Access
N2  - Affective Images examines both canonical and lesser-known photographs and films that address the struggle against apartheid and the new struggles that came into being in post-apartheid times. Marietta Kesting argues for a way of embodied seeing and complements this with feminist and queer film studies, history of photography, media theory, and cultural studies. Featuring in-depth discussions of photographs, films, and other visual documents, Kesting then situates them in broader historical contexts, such as cultural history and the history of black subjectivity and revolves the images around the intersection of race and gender. In its interdisciplinary approach, this book explores the recurrence of affective images of the past in a different way, including flashbacks, trauma, "white noise," and the return of the repressed. It draws its materials from photographers, filmmakers, and artists such as Ernest Cole, Simphiwe Nkwali, Terry Kurgan, Thenjiwe Niki Nkosi, Adze Ugah, and the Center for Historical Reenactments
UR  - https://muse.jhu.edu/book/100024/
ER  -