I Know That You Know That I Know : Narrating Subjects from Moll Flanders to Marnie / George Butte.

By: Contributor(s): Material type: TextTextSeries: The theory and interpretation of narrative series | Book collections on Project MUSEPublisher: Columbus : Ohio State University Press, 2004Manufacturer: Baltimore, Md. : Project MUSE, 2015Copyright date: ©2004Description: 1 online resource (270 pages): illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780814273241
Subject(s): Genre/Form: Online resources:
Contents:
Theory. Starting over: intersubjectivity and narrative -- Representing deep intersubjectivity: narrative practices. Case studies: deep intersubjectivity and genre. Comedy, film and film comedy -- Deep intersubjectivity and the subversion of comedy -- Deep intersubjectivity and masquerade.
Review: "In I Know That You Know That I Know, Butte explores how stories narrate human consciousness. Butte locates a historical shift in the representation of webs of consciousnesses in narrative - what he calls "deep intersubjectivity"--And examines the effect that shift has since had on Western literature and culture. The author studies narrative practices in two ways: one pairing eighteenth- and nineteenth-century British novels (Moll Flanders and Great Expectations, for example), and the other studying genre practices - comedy, anti-comedy and masquerade - in written and film narrative (Jane Austen and His Girl Friday, for example, and Hitchcock's Cary Grant films)."--Jacket.
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Theory. Starting over: intersubjectivity and narrative -- Representing deep intersubjectivity: narrative practices. Case studies: deep intersubjectivity and genre. Comedy, film and film comedy -- Deep intersubjectivity and the subversion of comedy -- Deep intersubjectivity and masquerade.

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"In I Know That You Know That I Know, Butte explores how stories narrate human consciousness. Butte locates a historical shift in the representation of webs of consciousnesses in narrative - what he calls "deep intersubjectivity"--And examines the effect that shift has since had on Western literature and culture. The author studies narrative practices in two ways: one pairing eighteenth- and nineteenth-century British novels (Moll Flanders and Great Expectations, for example), and the other studying genre practices - comedy, anti-comedy and masquerade - in written and film narrative (Jane Austen and His Girl Friday, for example, and Hitchcock's Cary Grant films)."--Jacket.

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