Incapacity : Wittgenstein, Anxiety, and Performance Behavior / Spencer Golub.

By: Contributor(s): Material type: TextTextSeries: Book collections on Project MUSEPublisher: Evanston, Illinois : Northwestern University Press, 2014Manufacturer: Baltimore, Md. : Project MUSE, 2014Copyright date: ©2014Description: 1 online resource (304 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780810167797
Subject(s): Genre/Form: Online resources:
Contents:
Introduction: thoughts thinking themselves -- Tractatus-illogico-philosophicus -- Wittgenstein's anatomy -- Catastrophists -- Doors of misperception -- Rules of the game -- Non-sleeper agents -- Masterminds -- The idiot's anxiety at the object's disappearance -- Homeless.
Summary: In this highly original study of the nature of performance, Spencer Golub uses the insights of Ludwig Wittgenstein into the way language works to analyze the relationship between the linguistic and the visual in the work of a broad range of dramatists, novelists, and filmmakers, among them Richard Foreman, Mac Wellman, Peter Handke, David Mamet, and Alfred Hitchcock. Like Wittgenstein, these artists are concerned with the limits of language's representational capacity. For Golub, it is these limits that give Wittgenstein's thought a further, very personal significanceâ€"its therapeutic quality with respect to the Obsessive Compulsive Disorder from which he suffers. Underlying what Golub calls â€oeperformance behaviorâ€_x009d_ is Wittgenstein's notion of â€oepain behaviorâ€_x009d_â€"that which gives public expression to private experience. Golub charts new directions for exploring the relationship between theater and philosophy, and even for scholarly criticism itself.
Tags from this library: No tags from this library for this title. Log in to add tags.
Star ratings
    Average rating: 0.0 (0 votes)
No physical items for this record

Introduction: thoughts thinking themselves -- Tractatus-illogico-philosophicus -- Wittgenstein's anatomy -- Catastrophists -- Doors of misperception -- Rules of the game -- Non-sleeper agents -- Masterminds -- The idiot's anxiety at the object's disappearance -- Homeless.

Open Access Unrestricted online access star

In this highly original study of the nature of performance, Spencer Golub uses the insights of Ludwig Wittgenstein into the way language works to analyze the relationship between the linguistic and the visual in the work of a broad range of dramatists, novelists, and filmmakers, among them Richard Foreman, Mac Wellman, Peter Handke, David Mamet, and Alfred Hitchcock. Like Wittgenstein, these artists are concerned with the limits of language's representational capacity. For Golub, it is these limits that give Wittgenstein's thought a further, very personal significanceâ€"its therapeutic quality with respect to the Obsessive Compulsive Disorder from which he suffers. Underlying what Golub calls â€oeperformance behaviorâ€_x009d_ is Wittgenstein's notion of â€oepain behaviorâ€_x009d_â€"that which gives public expression to private experience. Golub charts new directions for exploring the relationship between theater and philosophy, and even for scholarly criticism itself.

Description based on print version record.

There are no comments on this title.

to post a comment.