Detecting the Nation : Fictions of Detection and the Imperial Venture / Caroline Reitz.

By: Contributor(s): Material type: TextTextSeries: Victorian critical interventions | Book collections on Project MUSEPublisher: Columbus : Ohio State University Press, 2004Manufacturer: Baltimore, Md. : Project MUSE, 2015Copyright date: ©2004Description: 1 online resource (124 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780814273104
Subject(s): Genre/Form: Online resources:
Contents:
Introduction : imperial detection -- Bad cop/good cop : Godwin, Mill, and the imperial origins of the English detective -- Thuggee and the "discovery" of the English detective -- Making an English virtue of necessity : Dickens and Collins bring it home -- Separated at birth : Doyle, Kipling, and the partition of English detective fiction -- Conclusion.
Summary: In Detecting the Nation Reitz argues that detective fiction was essential both to public acceptance of the newly organized police force in early Victorian Britain and to acclimating the population to the larger venture of the British Empire. In doing so, Reitz challenges literary-historical assumptions that detective fiction is a minor domestic genre that reinforces a distinction between metropolitan center and imperial periphery. Rather, Reitz argues, nineteenth-century detective fiction helped transform the concept of an island kingdom into that of a sprawling empire; detective fiction placed imperialism at the center of English identity by recasting what had been the suspiciously un-English figure of the turn-of-the-century detective as the very embodiment of both English principles and imperial authority. She supports this claim through reading such masters of the genre as Godwin, Dickens, Collins, and Doyle in relation to narratives of crime and empire such as James Mill's History of British India, narratives about Thuggee, and selected writings of Kipling and Buchan. Reitz also shows how detective fiction and writings more specifically related to the imperial project, such as political tracts and adventure stories, were inextricably interrelated during this time. --Back cover.
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Introduction : imperial detection -- Bad cop/good cop : Godwin, Mill, and the imperial origins of the English detective -- Thuggee and the "discovery" of the English detective -- Making an English virtue of necessity : Dickens and Collins bring it home -- Separated at birth : Doyle, Kipling, and the partition of English detective fiction -- Conclusion.

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In Detecting the Nation Reitz argues that detective fiction was essential both to public acceptance of the newly organized police force in early Victorian Britain and to acclimating the population to the larger venture of the British Empire. In doing so, Reitz challenges literary-historical assumptions that detective fiction is a minor domestic genre that reinforces a distinction between metropolitan center and imperial periphery. Rather, Reitz argues, nineteenth-century detective fiction helped transform the concept of an island kingdom into that of a sprawling empire; detective fiction placed imperialism at the center of English identity by recasting what had been the suspiciously un-English figure of the turn-of-the-century detective as the very embodiment of both English principles and imperial authority. She supports this claim through reading such masters of the genre as Godwin, Dickens, Collins, and Doyle in relation to narratives of crime and empire such as James Mill's History of British India, narratives about Thuggee, and selected writings of Kipling and Buchan. Reitz also shows how detective fiction and writings more specifically related to the imperial project, such as political tracts and adventure stories, were inextricably interrelated during this time. --Back cover.

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