| 000 | 01608nam a2200385 a 4500 | ||
|---|---|---|---|
| 001 | 0000123750 | ||
| 005 | 20171002060622.0 | ||
| 006 | m u | ||
| 007 | cr cn||||||||| | ||
| 008 | 090107s2009 maua sb 001 0 eng | ||
| 010 | _z 2008055620 | ||
| 015 |
_aGBA927604 _2bnb |
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| 016 | 7 |
_z014931786 _2Uk |
|
| 020 | _z9780674033375 (alk. paper) | ||
| 020 | _z067403337X (alk. paper) | ||
| 035 | _a(CaPaEBR)ebr10402530 | ||
| 035 | _a(OCoLC)648757482 | ||
| 040 |
_aCaPaEBR _cCaPaEBR |
||
| 043 | _an-us--- | ||
| 050 | 1 | 4 |
_aML3790 _b.S88 2009eb |
| 082 | 0 | 4 |
_a338.4/7780973 _222 |
| 100 | 1 | _aSuisman, David. | |
| 245 | 1 | 0 |
_aSelling sounds _h[electronic resource] : _bthe commercial revolution in American music / _cDavid Suisman. |
| 260 |
_aCambridge, Mass. : _bHarvard University Press, _c2009. |
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| 300 |
_a356 p. : _bill. |
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| 504 | _aIncludes bibliographical references (p. [289]-337) and index. | ||
| 505 | 0 | _aWhen songs became a business -- Making hits -- Music without musicians -- The traffic in voices -- Musical properties -- Perfect pitch -- The black swan -- The musical soundscape of modernity. | |
| 533 |
_aElectronic reproduction. _bPalo Alto, Calif. : _cebrary, _d2013. _nAvailable via World Wide Web. _nAccess may be limited to ebrary affiliated libraries. |
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| 650 | 0 |
_aMusic trade _zUnited States. |
|
| 650 | 0 |
_aMusic _zUnited States _xHistory and criticism. |
|
| 655 | 7 |
_aElectronic books. _2local |
|
| 710 | 2 | _aebrary, Inc. | |
| 856 | 4 | 0 |
_uhttp://site.ebrary.com/lib/daystar/Doc?id=10402530 _zAn electronic book accessible through the World Wide Web; click to view |
| 908 | _a170314 | ||
| 942 | 0 | 0 | _cEB |
| 999 |
_c112899 _d112899 |
||