000			02213nam a2200421 a 4500
001			0000143051
005			20171002061831.0
006			m u
007			cr cn|||||||||
008			101013s2011 nyua sb 001 0 eng d
010			_z 2010041800
020			_z9780820468433 (pbk. alk. paper)
020			_z0820468436 (pbk. alk. paper)
020			_z9781453900888 (e-book)
035			_a(CaPaEBR)ebr10516854
035			_a(OCoLC)770603666
040			_aCaPaEBR _cCaPaEBR
043			_an-us---
050	1	4	_aPS374.D4 _bS52 2011eb
082	0	4	_a813/.087209 _222
100	1		_aShiloh, Ilana.
245	1	4	_aThe double, the labyrinth and the locked room _h[electronic resource] : _bmetaphors of paradox in crime fiction and film / _cIlana Shiloh.
260			_aNew York : _bPeter Lang, _cc2011.
300			_aviii, 186 p. : _bill.
504			_aIncludes bibliographical references (p. [175]-182) and index.
505	0		_aIntroduction -- The deconstruction of reason in Poe's Tales of ratiocination. The double. Existential doubles : Dashiell Hammett's The Maltese falcon -- Subversive doubles : Patricia Highsmith's The talented Mr. Ripley -- Doubles : Christopher Nolan's Memento -- The labyrinth. Avatars of the labyrinth : Jorge Luis Borges's Death and the compass -- Justice as a labyrinth : the Coen Brothers' The man who wasn't there -- The book as a labyrinth : Mark Danielewski's House of leaves -- The locked room. The locked room of the self : Paul Auster's The New York trilogy -- Conclusion.
533			_aElectronic reproduction. _bPalo Alto, Calif. : _cebrary, _d2012. _nAvailable via World Wide Web. _nAccess may be limited to ebrary affiliated libraries.
650		0	_aDetective and mystery stories, American _xHistory and criticism.
650		0	_aDetective and mystery films _xHistory and criticism.
650		0	_aMetaphor in literature.
650		0	_aMetaphor in motion pictures.
650		0	_aSplit self in literature.
650		0	_aDoubles in literature.
655		7	_aElectronic books. _2local
710	2		_aebrary, Inc.
856	4	0	_uhttp://site.ebrary.com/lib/daystar/Doc?id=10516854 _zAn electronic book accessible through the World Wide Web; click to view
908			_a170314
942	0	0	_cEB
999			_c132200 _d132200