000 | 03352nam a2200433 a 4500 | ||
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001 | 0000147983 | ||
005 | 20171002062125.0 | ||
006 | m u | ||
007 | cr cn||||||||| | ||
008 | 111114s2012 cauc sb 001 0 eng d | ||
010 | _z 2011046517 | ||
020 | _z9780520271821 (cloth alk. paper) | ||
020 | _z9780520271838 (pbk. alk. paper) | ||
020 | _z9780520952003 (e-book) | ||
035 | _a(CaPaEBR)ebr10555079 | ||
035 | _a(OCoLC)792819222 | ||
040 |
_aCaPaEBR _cCaPaEBR |
||
041 | 1 |
_aeng _hger _heng |
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050 | 1 | 4 |
_aPN1995 _b.K6955 2012eb |
082 | 0 | 4 |
_a791.43 _223 |
100 | 1 |
_aKracauer, Siegfried, _d1889-1966. |
|
245 | 1 | 0 |
_aSiegfried Kracauer's American writings _h[electronic resource] : _bessays on film and popular culture / _cSiegfried Kracauer ; edited by Johannes von Moltke and Kristy Rawson ; with an afterword by Martin Jay. |
260 |
_aBerkeley : _bUniversity of California Press, _c2012. |
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300 |
_axii, 290 p. : _bport. |
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490 | 1 |
_aWeimar and now: German cultural criticism ; _v45 |
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504 | _aIncludes bibliographical references and index. | ||
505 | 0 | _aBetween Hollywood and Europe: a cultural critic in New York. Why France liked our films (1942) -- Hollywood's terror films (1946) -- Jean Vigo (1947) -- The revolt against rationality (1947) -- Jewish culture (1947) -- Filming the subconscious (1948) -- Psychiatry for everything and everybody (1948) -- Those movies with a message (1948) -- National types as Hollywood presents them (1949) -- The mirror up to nature (1949) -- Preston Sturges, or laughter betrayed (1950) -- Art today (1961) -- About the state of the humanities -- A statement on the humanistic approach -- Talk with Teddie (1960) -- A critic at large I: film reviews. An American experiment (1941) -- Dumbo (1941) -- Film notes from Hollywood (1941) -- A few American films (1941) -- William Wyler's new Bette Davis film (1941) -- Flaherty, the land (1942) -- For whom the bell tolls (1943) -- Pais? (1948) -- The decent German (1949) -- The eternal Jew (1956) -- A few notes on The connection (1961) -- A critic at large II: book reviews. In Eisenstein's workshop (1943) -- The Russian director (1949) -- The movie colony (1942) -- A lady of valor (1947) -- The Teutonic mind (1948) -- Consciousness, free and spontaneous (1948) -- Indologian holiday (1948) -- Portrait in film (1948) -- Total teaching -- Pictorial deluge (1950) -- Movie mirror (1950) -- Reflexion faite (1952) -- Toward a theory of film. Stage vs. screen acting (1950) -- The photographic approach (1951) -- Silent film comedy (1951) -- The found story and the episode (1956) -- Letter to film 56 (1956) -- Afterword: Kracauer, the magical nominalist / Martin Jay. | |
533 |
_aElectronic reproduction. _bPalo Alto, Calif. : _cebrary, _d2011. _nAvailable via World Wide Web. _nAccess may be limited to ebrary affiliated libraries. |
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546 | _aIn English with some essays translated from German. | ||
650 | 0 | _aMotion pictures. | |
650 | 0 |
_aMotion pictures _vReviews. |
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655 | 7 |
_aElectronic books. _2local |
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700 | 1 |
_aVon Moltke, Johannes, _d1966- |
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700 | 1 |
_aRawson, Kristy, _d1963- |
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710 | 2 | _aebrary, Inc. | |
830 | 0 |
_aWeimar and now ; _v45. |
|
856 | 4 | 0 |
_uhttp://site.ebrary.com/lib/daystar/Doc?id=10555079 _zAn electronic book accessible through the World Wide Web; click to view |
908 | _a170314 | ||
942 | 0 | 0 | _cEB |
999 |
_c137132 _d137132 |