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006 m u
007 cr cn|||||||||
008 120802s2013 msua sb 001 0 eng d
010 _z 2012031407
020 _z9781617036699 (cloth : alk. paper)
020 _z9781621030065 (e-book)
035 _a(CaPaEBR)ebr10672362
035 _a(OCoLC)805892449
040 _aCaPaEBR
_cCaPaEBR
043 _anwcu---
050 1 4 _aML1038.B38
_bS38 2013eb
082 0 4 _a786.9/4097291
_223
100 1 _aSchweitzer, Kenneth George.
245 1 4 _aThe artistry of Afro-Cuban batá drumming
_h[electronic resource] :
_baesthetics, transmission, bonding, and creativity /
_cKenneth Schweitzer.
260 _aJackson :
_bUniversity Press of Mississippi,
_c2013.
300 _axiii, 242 p. :
_bill.
490 1 _aCaribbean studies series
504 _aIncludes bibliographical references and index.
520 _aAn iconic symbol and sound of the Lucumi/Santeria religion, Afro-Cuban bata are talking drums that express the epic mythological narratives of the West African Yoruba deities known as orisha. By imitating aspects of speech and song and by metaphorically referencing salient attributes of the deities, bata drummers facilitate the communal praising of orisha in a music ritual known as a toque de santo. In The Artistry of Afro-Cuban Bata Drumming, Kenneth Schweitzer blends musical transcription, musical analysis, interviews, ethnographic descriptions, and observations from his own experience as a ritual drummer to highlight the complex variables at work during a live Lucumi performance. Integral in enabling trance possessions by the orisha, by far the most dramatic expressions of Lucumi faith, bata drummers are also entrusted with controlling the overall ebb and flow of the four- to six-hour toque de santo. During these events, bata drummers combine their knowledge of ritual with an extensive repertoire of rhythms and songs. Musicians focus on the many thematic acts that unfold both concurrently and in quick succession. In addition to creating an emotionally charged environment, playing salute rhythms for the orisha, and supporting the playful song competitions that erupt between singers, bata drummers are equally dedicated to nurturing their own drumming community by creating a variety of opportunities for the musicians to grow artistically and creatively.
533 _aElectronic reproduction.
_bPalo Alto, Calif. :
_cebrary,
_d2013.
_nAvailable via World Wide Web.
_nAccess may be limited to ebrary affiliated libraries.
650 0 _aBatá music
_xHistory and criticism.
650 0 _aMusic
_zCuba
_xHistory and criticism.
650 0 _aDrum
_zCuba.
650 0 _aMusic
_xAfrican influences.
655 7 _aElectronic books.
_2local
710 2 _aebrary, Inc.
830 0 _aCaribbean studies series (Jackson, Miss.)
856 4 0 _uhttp://site.ebrary.com/lib/daystar/Doc?id=10672362
_zAn electronic book accessible through the World Wide Web; click to view
908 _a170314
942 0 0 _cEB
999 _c154978
_d154978