000 | 03162cam a22005054a 4500 | ||
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001 | musev2_23945 | ||
003 | MdBmJHUP | ||
005 | 20240815120731.0 | ||
006 | m o d | ||
007 | cr||||||||nn|n | ||
008 | 120720s2013 ohu o 00 0 eng d | ||
010 | _z 2012025253 | ||
020 | _a9780814270059 | ||
020 | _z9780814212066 | ||
020 | _z0814270050 | ||
020 | _z0814212069 | ||
035 | _a(OCoLC)867741100 | ||
040 |
_aMdBmJHUP _cMdBmJHUP |
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100 | 1 |
_aGlazov-Corrigan, Elena, _d1953- |
|
245 | 1 | 0 |
_aArt after Philosophy : _bBoris Pasternak's Early Prose / _cElena Glazov-Corrigan. |
264 | 1 |
_aColumbus : _bOhio State University Press, _c2013. |
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264 | 3 |
_aBaltimore, Md. : _bProject MUSE, _c2013 |
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264 | 4 | _c©2013. | |
300 | _a1 online resource (408 pages). | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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506 | 0 |
_aOpen Access _fUnrestricted online access _2star |
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520 | _aThis book redefines an area in Slavic studies which has suffered from neglect for several decades, namely, Pasternak's early prose narratives. The author analyzes the conceptual networks of thought Pasternak developed when he turned to literature after abandoning the study of Neo-Kantianism in Marburg during the summer of 1912. This book shows conclusively that Pasternak's knowledge of philosophy is inseparable from his prose works, even though in his early stories and novellas (1913-1918) philosophical ideas operate neither as discrete textual units nor as micro-elements or clusters of possible signification. In the early Pasternak, philosophy becomes a narrative art, a large-scale narrative frame, a manner of seeing rather than of constructing reality. After Roman Jakobson's famous 1935 essay, which characterized the early Pasternak as a "virtuoso of metonymy," in contrast to the metaphoric Mayakovsky, no other approach has been able to generate comparable scholarly influence. The present study takes up the implicit challenge of this critical impasse. Entering into a debate with Jakobson's findings, this book illuminates Pasternak's boldest artistic experiments and suggests to his readers entirely new ways of approaching not only his early but also his later writing. | ||
546 | _aEnglish. | ||
588 | _aDescription based on print version record. | ||
600 | 1 | 7 |
_aPasternak, Boris Leonidovich, _d1890-1960. _2fast _0(OCoLC)fst00031300 |
600 | 1 | 0 |
_aPasternak, Boris Leonidovich, _d1890-1960 _xCriticism and interpretation. |
650 | 7 |
_aLITERARY CRITICISM / General _2bisacsh |
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650 | 7 |
_aSlavic, Baltic and Albanian Languages & Literatures. _2hilcc |
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650 | 7 |
_aLanguages & Literatures. _2hilcc |
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655 | 7 |
_aCriticism, interpretation, etc. _2fast _0(OCoLC)fst01411635 |
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655 | 7 |
_aElectronic books. _2local |
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710 | 2 |
_aProject Muse. _edistributor |
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830 | 0 | _aBook collections on Project MUSE. | |
856 | 4 | 0 |
_zFull text available: _uhttps://muse.jhu.edu/book/23945/ |
945 | _aProject MUSE - 2013 Literature | ||
945 | _aProject MUSE - 2013 Russian and East European Studies | ||
945 | _aProject MUSE - 2013 Complete | ||
999 |
_c231204 _d231203 |