000 03710cam a22005774a 4500
001 musev2_24233
003 MdBmJHUP
005 20240815120732.0
006 m o d
007 cr||||||||nn|n
008 121109s2013 ohu o 00 0 eng d
010 _z 2012041520
020 _a9780814270196
020 _z9780814212172
020 _z0814270190
020 _z0814212174
035 _a(OCoLC)867740784
040 _aMdBmJHUP
_cMdBmJHUP
100 1 _aChevaillier, Flore,
_d1979-
245 1 4 _aThe Body of Writing :
_bAn Erotics of Contemporary American Fiction /
_cFlore Chevaillier.
264 1 _aColumbus :
_bOhio State University Press,
_c[2013]
264 3 _aBaltimore, Md. :
_bProject MUSE,
_c2013
264 4 _c©[2013]
300 _a1 online resource (208 pages).
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
505 0 _aErotic etudes : theory of the self and language -- Semiotics and erotics in Joseph McElroy's Plus -- "A certain pulsing" : the erotic page in Carole Maso's AVA -- Erotics and corporeality in Theresa Hak Kyung Cha's DICTEE -- Bodily and literary modifications in Steve Tomasula's VAS : an opera in Flatland.
506 0 _aOpen Access
_fUnrestricted online access
_2star
520 _aThis book examines four postmodern texts whose authors play with the material conventions of “the book”: Joseph McElroy’s Plus (1977), Carole Maso’s AVA (1993), Theresa Hak Kyung Cha’s DICTEE (1982), and Steve Tomasula’s VAS (2003). By demonstrating how each of these works calls for an affirmative engagement with literature, the author explores a centrally important issue in the criticism of contemporary fiction. Critics have claimed that experimental literature, in its disruption of conventional story-telling and language uses, resists literary and social customs. While this account is accurate, it stresses what experimental texts respond to more than what they offer. This book proposes a counter-view to this emphasis on the strictly privative character of innovative fictions by examining experimental works’ positive ideas and affects, as well as readers’ engagement in the formal pleasure of experimentations with image, print, sound, page, orthography, and syntax. Elaborating an erotics of recent innovative literature implies that we engage in the formal pleasure of its experimentations with signifying techniques and with the materiality of their medium. Such engagement provokes a fusion of the reader’s senses and the textual material, which invites a redefinition of corporeality as a kind of textual practice.
588 _aDescription based on print version record.
650 7 _aSemiotics and literature.
_2fast
_0(OCoLC)fst01112369
650 7 _aReading.
_2fast
_0(OCoLC)fst01090626
650 7 _aEnglish language
_xStyle.
_2fast
_0(OCoLC)fst00911825
650 7 _aLITERARY CRITICISM / General
_2bisacsh
650 6 _aSemiotique et litterature.
650 6 _aRoman americain
_xHistoire et critique
_xTheorie, etc.
650 6 _aAnglais (Langue)
_xStylistique.
650 6 _aLecture.
650 0 _aSemiotics and literature.
650 0 _aAmerican fiction
_xHistory and criticism
_xTheory, etc.
650 0 _aEnglish language
_xStyle.
650 0 _aReading.
655 7 _aCriticism, interpretation, etc.
_2fast
_0(OCoLC)fst01411635
655 7 _aElectronic books.
_2local
710 2 _aProject Muse.
_edistributor
830 0 _aBook collections on Project MUSE.
856 4 0 _zFull text available:
_uhttps://muse.jhu.edu/book/24233/
945 _aProject MUSE - 2013 Literature
945 _aProject MUSE - 2013 Complete
999 _c231233
_d231232