000 03954cam a22006134a 4500
001 musev2_48462
003 MdBmJHUP
005 20240815120743.0
006 m o d
007 cr||||||||nn|n
008 160413s2016 miu o 00 0 eng d
010 _z 2020707399
020 _a9780472122271
020 _z0472122274
020 _z9780472902385
020 _z0472119958
020 _z9780472119950
035 _a(OCoLC)960977355
040 _aMdBmJHUP
_cMdBmJHUP
245 0 0 _aGood Vibrations :
_bBrian Wilson and the Beach Boys in Critical Perspective /
_cedited by Philip Lambert.
264 1 _aAnn Arbor, Michigan :
_bUniversity of Michigan Press,
_c[2016]
264 3 _aBaltimore, Md. :
_bProject MUSE,
_c2016
264 4 _c©[2016]
300 _a1 online resource (336 pages).
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
490 0 _aTracking pop
505 0 _a"Brian comes alive" : celebrity, performance, and the limitations of biography in lyric reading / Kirk Curnutt -- Pet sound effects / Daniel Harrison -- Brian Wilson's harmonic language / Philip Lambert -- Summer of '64 / Keir Keightly -- When I grow up : the Beach Boys' early music / Jadey O'Regan -- Into the Mystic? : the undergrounding of Brian Wilson, 1964-1967 / Dale Carter -- Good reverberations / Philip Lambert -- Fandom and ontology in Smile / Andrew Flory -- A listener's Smile / Larry Starr.
506 0 _aOpen Access
_fUnrestricted online access
_2star
520 8 _aGood Vibrations" brings together scholars with a variety of expertise, from music to cultural studies to literature, to assess the full extent of the contributions to popular culture and popular music of one themost successful and influential pop bands of the 20th century. Thebook covers the full fifty-year history of the Beach Boys' music, from essays on some of the group's best-known music-such as their hitsingle "Good Vibrations"--To their mythical unfinished masterpiece, Smile. Throughout, the book places special focus on the individual whose creative vision brought the whole enterprise to life, Brian Wilson, advancing our understanding of his gifts as a songwriter, arranger, and producer. The book joins a growing body of literature on the popular music of the1960s, in general, and on Brian Wilson and the Beach Boys in particular. But Good Vibrations extends the investigation further and deeper than it has gone before, not only offering new understanding and insights into individual songs and albums, but also providing close examination of compositional techniques and reflections on the group's place in American popular culture.
588 _aDescription based on print version record.
600 1 7 _aWilson, Brian,
_d1942-
_2fast
_0(OCoLC)fst00276832
600 1 1 _aWilson, Brian,
_d1942-
_xCriticism and interpretation.
600 1 0 _aWilson, Brian,
_d1942-
_xCriticism and interpretation.
610 2 7 _aBeach Boys.
_2fast
_0(OCoLC)fst00565187
610 2 0 _aBeach Boys.
650 7 _aPopular music.
_2fast
_0(OCoLC)fst01071422
650 7 _aMUSIC
_xGeneral.
_2bisacsh
650 7 _aMUSIC
_xPrinted Music
_xVocal.
_2bisacsh
650 7 _aMUSIC
_xLyrics.
_2bisacsh
650 7 _aMUSIC
_xInstruction & Study
_xVoice.
_2bisacsh
650 6 _aMusique populaire
_zÉtats-Unis
_xHistoire et critique.
650 0 _aPopular music
_zUnited States
_xHistory and criticism.
651 7 _aUnited States.
_2fast
_0(OCoLC)fst01204155
655 7 _aCriticism, interpretation, etc.
_2fast
_0(OCoLC)fst01411635
655 7 _aElectronic books.
_2local
700 1 _aLambert, Philip,
_d1958-
_eeditor.
710 2 _aProject Muse.
_edistributor
830 0 _aBook collections on Project MUSE.
856 4 0 _zFull text available:
_uhttps://muse.jhu.edu/book/48462/
945 _aProject MUSE - 2016 Complete
945 _aProject MUSE - 2016 Film, Theater and Performing Arts
999 _c231806
_d231805