000			04229cam a22006494a 4500
001			musev2_52289
003			MdBmJHUP
005			20240815120746.0
006			m o d
007			cr||||||||nn|n
008			161007s2017 miu o 00 0 eng d
010			_z 2020707233
020			_a9780472122660
020			_z9780472900817
020			_z9780472073405
020			_z9780472053407
035			_a(OCoLC)987860279
040			_aMdBmJHUP _cMdBmJHUP
100	1		_aWipplinger, Jonathan O., _eauthor.
245	1	4	_aThe Jazz Republic : _bMusic, Race, and American Culture in Weimar Germany / _cJonathan O. Wipplinger.
264		1	_aAnn Arbor : _bUniversity of Michigan Press, _c[2017]
264		3	_aBaltimore, Md. : _bProject MUSE, _c2017
264		4	_c©[2017]
300			_a1 online resource (324 pages).
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
490	0		_aSocial history, popular culture, and politics in Germany
505	0		_aJazz occupies Germany -- The aural shock of modernity -- Writing symphonies in jazz -- Syncopating the mass ornament -- Bridging the great divides -- Singing the Harlem Renaissance -- Jazz's silence.
506	0		_aOpen Access _fUnrestricted online access _2star
520			_a"The Jazz Republic" examines jazz music and the jazz artists who shaped Germany's exposure to this African American art form from 1919 through 1933. Jonathan O. Wipplinger explores the history of jazz in Germany as well as the roles that music, race (especially Blackness), and America played in German culture and follows the debate over jazz through the fourteen years of Germany's first democracy. He explores visiting jazz musicians including the African American Sam Wooding and the white American Paul Whiteman and how their performances were received by German critics and artists. He also engages with the meaning of jazz in debates over changing gender norms and jazz's status between paradigms of high and low culture. By looking at German translations of Langston Hughes's poetry, as well as Theodor W. Adorno's controversial rejection of jazz in light of racial persecution, Wipplinger examines how jazz came to be part of German cultural production more broadly in both the US and Germany, in the early 1930s. Using a wide array of sources from newspapers, modernist and popular journals, as well as items from the music press, this work intervenes in the debate over the German encounter with jazz by arguing that the music was no mere "symbol" of Weimar's modernism and modernity. Rather than reflecting intra-German and/or European debates, it suggests that jazz and its practitioners, African American, white American, Afro-European, German and otherwise, shaped Weimar culture in a central way
546			_aIn English.
588			_aDescription based on print version record.
650		7	_aMusic and race. _2fast _0(OCoLC)fst01030486
650		7	_aJazz _xSocial aspects. _2fast _0(OCoLC)fst00982185
650		7	_aJazz. _2fast _0(OCoLC)fst00982165
650		7	_aCivilization _xAmerican influences. _2fast _0(OCoLC)fst00862901
650		7	_aSOCIAL SCIENCE _xPopular Culture. _2bisacsh
650		7	_aSOCIAL SCIENCE _xAnthropology _xCultural. _2bisacsh
650		7	_aPOLITICAL SCIENCE _xPublic Policy _xCultural Policy. _2bisacsh
650		7	_aMUSIC _xEthnomusicology. _2bisacsh
650		6	_aMusique et race _zAllemagne.
650		6	_aJazz _zAllemagne _y1921-1930 _xHistoire et critique.
650		0	_aMusic and race _zGermany.
650		0	_aJazz _zGermany _y1921-1930 _xHistory and criticism.
650		0	_aJazz _xSocial aspects _zGermany _xHistory _y20th century.
651		7	_aGermany. _2fast _0(OCoLC)fst01210272
651		0	_aGermany _xCivilization _xAmerican influences.
655		7	_aHistory. _2fast _0(OCoLC)fst01411628
655		7	_aCriticism, interpretation, etc. _2fast _0(OCoLC)fst01411635
655		7	_aElectronic books. _2local
710	2		_aProject Muse. _edistributor
830		0	_aBook collections on Project MUSE.
856	4	0	_zFull text available: _uhttps://muse.jhu.edu/book/52289/
945			_aProject MUSE - 2017 Complete
945			_aProject MUSE - 2017 History
999			_c231922 _d231921