000 03664cam a22005774a 4500
001 musev2_61311
003 MdBmJHUP
005 20240815120750.0
006 m o d
007 cr||||||||nn|n
008 170918t20182018ncu o 00 0 eng d
010 _z 2017044572
020 _a9780822372400
020 _z9780822369356
020 _z9780822369509
020 _z9781478090342
035 _a(OCoLC)1048190529
040 _aMdBmJHUP
_cMdBmJHUP
100 1 _aKnapp, Raymond,
_eauthor.
245 1 0 _aMaking Light :
_bHaydn, Musical Camp, and the Long Shadow of German Idealism /
_cRaymond Knapp.
264 1 _aDurham :
_bDuke University Press,
_c2018.
264 3 _aBaltimore, Md. :
_bProject MUSE,
_c2018
264 4 _c©2018.
300 _a1 online resource (408 pages).
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
490 0 _aMusic and sound collection
505 0 _aApproaching the absolute -- Idealizing music -- Haydn's difference -- Entertaining possibilities in Haydn's symphonies -- Haydn, the string quartet, and the (d)evolution of the chamber ideal -- New world dualities -- Popular music contra German idealism: Anglo-American rebellions from minstrelsy to camp -- "Popular music" qua German idealism: authenticity and its outliers -- Musical virtues and vices in the latter-day new world -- Appendix A : More extended musical examples -- Appendix B : Listing of video examples from films.
506 0 _aOpen Access
_fUnrestricted online access
_2star
520 _aTraces the musical legacy of German Idealism as it led to the declining prestige of composers such as Haydn while influencing the development of American popular music in the nineteenth century. The author identifies in Haydn and in early popular American musical cultures such as minstrelsy and operetta a strain of high camp -- a mode of engagement that relishes both the superficial and serious aspects of an aesthetic experience -- that runs antithetical to German Idealism's musical paradigms. By considering the disservice done to Haydn by German Idealism alongside the emergence of musical camp in American popular music, the author outlines a common ground: a humanistically based aesthetic of shared pleasure that points to ways in which camp receptive modes might rejuvenate the original appeal of Haydn's music that has mostly eluded audiences. In so doing, the author remaps the historiographical modes and systems of critical evaluation that dominate musicology while troubling the divide between serious and popular music.
588 _aDescription based on print version record.
600 1 7 _aHaydn, Joseph,
_d1732-1809.
_2fast
_0(OCoLC)fst00040899
600 1 0 _aHaydn, Joseph,
_d1732-1809
_xCriticism and interpretation.
650 7 _aMusic
_xPhilosophy and aesthetics.
_2fast
_0(OCoLC)fst01030408
650 7 _aIdealism, German.
_2fast
_0(OCoLC)fst00966844
650 7 _aMUSIC
_xReference.
_2bisacsh
650 7 _aMUSIC
_xGenres & Styles
_xClassical.
_2bisacsh
650 7 _aThe arts.
_2bicssc
650 7 _aMusic.
_2bicssc
650 6 _aMusique
_xPhilosophie et esthetique.
650 6 _aIdealisme allemand.
650 0 _aMusic
_xPhilosophy and aesthetics.
650 0 _aIdealism, German.
655 7 _aCriticism, interpretation, etc.
_2fast
_0(OCoLC)fst01411635
655 7 _aElectronic books.
_2local
773 0 _tOAPEN (Open Access Publishing in European Networks)
_dOAPEN
710 2 _aProject Muse.
_edistributor
830 0 _aBook collections on Project MUSE.
856 4 0 _zFull text available:
_uhttps://muse.jhu.edu/book/61311/
999 _c232146
_d232145