000 | 03353cam a22005414a 4500 | ||
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001 | musev2_58025 | ||
003 | MdBmJHUP | ||
005 | 20240815120752.0 | ||
006 | m o d | ||
007 | cr||||||||nn|n | ||
008 | 840613s1984 nyu o 00 0 eng d | ||
010 | _z 84045141 | ||
020 | _a9781501722981 | ||
020 | _z9781501722974 | ||
020 | _z9780801417429 | ||
020 | _z9781501727931 | ||
035 | _a(OCoLC)1057676723 | ||
040 |
_aMdBmJHUP _cMdBmJHUP |
||
100 | 1 |
_aHayles, N. Katherine, _d1943- |
|
245 | 1 | 4 |
_aThe Cosmic Web : _bScientific Field Models and Literary Strategies in the Twentieth Century / _cN. Katherine Hayles. |
264 | 1 |
_aIthaca : _bCornell University Press, _c1984. |
|
264 | 3 |
_aBaltimore, Md. : _bProject MUSE, _c2018 |
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264 | 4 | _c©1984. | |
300 | _a1 online resource (210 pages). | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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505 | 0 | _aIntroduction -- pt. I. Mathematical and scientific model -- ch. 1. Spinning the web : representative field theories and their implications -- pt. II. Literary strategies -- ch. 2. Drawn to the web : the quality of rhetoric in Pirsig's Zen and the art of motorcycle maintenance -- ch. 3. Evasion : the field of the unconscious in D.H. Lawrence -- ch. 4. Ambivalence : symmetry, asymmetry, and the physics of time reversal in Nabokov's Ada -- ch. 5. Subversion : infinite series and transfinite numbers in Borges's fictions -- ch. 6. Caught in the web : cosmology and the point of (no) return in Pynchon's Gravity's rainbow -- References Cited -- Index. | |
506 | 0 |
_aOpen Access _fUnrestricted online access _2star |
|
520 | _aFrom the central concept of the field--which depicts the world as a mutually interactive whole, with each part connected to every other part by an underlying field-- have come models as diverse as quantum mathematics and Saussure's theory of language. In The Cosmic Web, N. Katherine Hayles seeks to establish the scope of the field concept and to assess its importance for contemporary thought. She then explores the literary strategies that are attributable directly or indirectly to the new paradigm; among the texts at which she looks closely are Robert Pirsig's Zen and the Art of Motorcycle Maintenance, Nabokov's Ada, D.H. Lawrence's early novels and essays, Borges's fiction, and Thomas Pynchon's Gravity's Rainbow. | ||
588 | _aDescription based on print version record. | ||
650 | 7 |
_aScience _xPhilosophy _xHistory _y20th century. _2nli |
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650 | 7 |
_aLiterature, Modern _y20th century _xHistory and criticism. _2nli |
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650 | 1 | 7 |
_aVeldentheorie. _2gtt |
650 | 1 | 7 |
_aWetenschap. _2gtt |
650 | 1 | 7 |
_aLetterkunde. _2gtt |
650 | 7 |
_aLiterature, Modern. _2fast _0(OCoLC)fst01000172 |
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650 | 7 |
_aLiterature and science. _2fast _0(OCoLC)fst01000093 |
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650 | 6 | _aLitterature et sciences. | |
650 | 6 |
_aLitterature _y20e siecle _xHistoire et critique. |
|
650 | 0 | _aLiterature and science. | |
650 | 0 |
_aLiterature, Modern _y20th century _xHistory and criticism. |
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655 | 7 |
_aCriticism, interpretation, etc. _2fast _0(OCoLC)fst01411635 |
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655 | 7 |
_aElectronic books. _2local |
|
710 | 2 |
_aProject Muse. _edistributor |
|
830 | 0 | _aBook collections on Project MUSE. | |
856 | 4 | 0 |
_zFull text available: _uhttps://muse.jhu.edu/book/58025/ |
999 |
_c232221 _d232220 |