000			03386cam a22006014a 4500
001			musev2_63483
003			MdBmJHUP
005			20240815120753.0
006			m o d
007			cr||||||||nn|n
008			180823s2019 ilu o 00 0 eng d
010			_z 2019667767
020			_a9780810139237
020			_z0810139227
020			_z0810139235
020			_z0810139219
020			_z9780810139213
020			_z9780810139220
035			_a(OCoLC)1080201899
040			_aMdBmJHUP _cMdBmJHUP
100	1		_aConnelly, Thomas J., _d1971- _eauthor.
245	1	0	_aCinema of Confinement / _cThomas J. Connelly.
264		1	_aEvanston, Illinois : _bNorthwestern University Press, _c2019.
264		3	_aBaltimore, Md. : _bProject MUSE, _c2019
264		4	_c©2019.
300			_a1 online resource (184 pages).
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
490	0		_aDiaeresis
505	0		_aIntroduction: Excess, the gaze, and cinema of confinement -- Excess in confinement in Room and Green room -- Big window, big other: enjoyment and spectatorship in Alfred Hitchcock's Rope -- Interior confinement: shattering and disintegration in Ingmar Bergman's The passion of Anna -- It "over-looks": movement and stillness in Stanley Kubrick's The shining -- "It's just a show?" Paranoia and provocation in Oliver Stone's Talk radio -- Voices, telephones, and confined spaces: Phone booth and Locke -- Captive, captor, and aliens: 10 Cloverfield lane -- Conclusion: 127 hours, The wall, Panic room, and Cyberspace.
506	0		_aOpen Access _fUnrestricted online access _2star
520			_a"In this book, Thomas J. Connelly draws on a number of key psychoanalytic concepts from the works of Jacques Lacan, Slavoj Žižek, Joan Copjec, Michel Chion, and Todd McGowan to identify and describe a genre of cinema characterized by spatial confinement. Examining classic films such as Alfred Hitchcock's Rope and Stanley Kubrick's The Shining, as well as current films such as Room, Green Room, and 10 Cloverfield Lane, Connelly shows that the source of enjoyment of confined spaces lies in the viewer's relationship to excess. Cinema of Confinement offers rich insights into the appeal of constricted filmic spaces at a time when one can easily traverse spatial boundaries within the virtual reality of cyberspace."
588			_aDescription based on print version record.
650		7	_aMotion pictures _xSetting and scenery. _2fast _0(OCoLC)fst01027381
650		7	_aGaze in motion pictures. _2fast _0(OCoLC)fst00939348
650		7	_aExcess (Philosophy) _2fast _0(OCoLC)fst01763655
650		7	_aPerforming arts. _2fast _0(OCoLC)fst01057887
650		7	_aPerforming Arts / Film / History & Criticism. _2bisacsh
650		6	_aCinema _xDecors.
650		6	_aRegard au cinema.
650		6	_aExces (Philosophie)
650		6	_aArts du spectacle.
650		0	_aPerforming arts.
650		0	_aMotion pictures _xSetting and scenery.
650		0	_aGaze in motion pictures.
650		0	_aFraming (Cinematography) _xPsychological aspects.
650		0	_aExcess (Philosophy)
655		7	_aElectronic books. _2local
710	2		_aProject Muse. _edistributor
830		0	_aBook collections on Project MUSE.
856	4	0	_zFull text available: _uhttps://muse.jhu.edu/book/63483/
999			_c232287 _d232286