000			03694cam a22006134a 4500
001			musev2_63400
003			MdBmJHUP
005			20240815120753.0
006			m o d
007			cr||||||||nn|n
008			170607t20172017cau o 00 0 eng d
010			_z 2019667620
020			_a9780520968790
020			_z0520968794
020			_z9780520296206
035			_a(OCoLC)1085413562
040			_aMdBmJHUP _cMdBmJHUP
100	1		_aZanfagna, Christina, _d1980- _eauthor.
245	1	0	_aHoly Hip Hop in the City of Angels / _cChristina Zanfagna.
264		1	_aOakland, California : _bUniversity of California Press, _c[2017]
264		3	_aBaltimore, Md. : _bProject MUSE, _c2019
264		4	_c©[2017]
300			_a1 online resource (189 pages).
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
490	0		_aMusic of the african diaspora ; _v19
505	0		_aIntroduction: Earthquake music and the politics of conversion -- "Now I bang for Christ": rites/rights of passage -- Hip hop church L.A.: shifting grounds in Inglewood -- Beyond Babylon: geographies of conversion -- The evangelical hustle: selling music, saving souls -- Roads to Zion: hip hop's search for the city yet to come -- Epilogue: Aftershocks.
506	0		_aOpen Access _fUnrestricted online access _2star
520			_a"In the 1990s, Los Angeles was home to numerous radical social and environmental eruptions. In the face of several major earthquakes and floods, riots and economic insecurity, police brutality and mass incarceration, some young black Angelenos turned to holy hip hop--a movement merging Christianity and hip hop culture--to 'save' themselves and the city. Converting street corners to airborne churches and gangsta rap beats into anthems of praise, holy hip hoppers used gospel rap to navigate complicated social and spiritual realities and to transform the Southland's fractured terrains into musical Zions. Armed with beats, rhymes, and Bibles, they journeyed through black Lutheran congregations, prison ministries, African churches, reggae dancehalls, hip hop clubs, Nation of Islam meetings, and Black Lives Matter marches. Zanfagna's fascinating ethnography provides a contemporary and unique view of black LA, offering a much-needed perspective on how music and religion intertwine in people's everyday experiences."--Provided by publisher
546			_aEnglish.
588			_aDescription based on print version record.
650		7	_aRap (Music) _2fast _0(OCoLC)fst01089951
650		7	_aMusic _xReligious aspects _xChristianity. _2fast _0(OCoLC)fst01030426
650		7	_aChristian rap (Music) _2fast _0(OCoLC)fst00859488
650		7	_aAfrican American musicians. _2fast _0(OCoLC)fst00799273
650		7	_aMUSIC _xEthnomusicology. _2bisacsh
650		7	_aThe arts. _2bicssc
650		7	_aSociety and social sciences Society and social sciences. _2bicssc
650		7	_aSociety and culture: general. _2bicssc
650		7	_aReligion: general. _2bicssc
650		7	_aReligion and beliefs. _2bicssc
650		7	_aMusic. _2bicssc
650		7	_aHumanities. _2bicssc
650		7	_aCultural studies. _2bicssc
650		0	_aRap (Music) _zCalifornia _zLos Angeles _xHistory and criticism.
650		0	_aRap (Music) _xReligious aspects _xChristianity.
651		7	_aCalifornia _zLos Angeles. _2fast _0(OCoLC)fst01204540
655		7	_aCriticism, interpretation, etc. _2fast _0(OCoLC)fst01411635
655		7	_aElectronic books. _2local
710	2		_aProject Muse. _edistributor
830		0	_aBook collections on Project MUSE.
856	4	0	_zFull text available: _uhttps://muse.jhu.edu/book/63400/
999			_c232293 _d232292