000			03320cam a22005534a 4500
001			musev2_64131
003			MdBmJHUP
005			20240815120756.0
006			m o d
007			cr||||||||nn|n
008			150528s2016 ncu o 00 0 eng d
010			_z 2020715135
020			_a9780822374954
020			_z9781478091288
020			_z9780822358855
020			_z9780822359852
035			_a(OCoLC)1103997115
040			_aMdBmJHUP _cMdBmJHUP
100	1		_aPerry, Marc D., _d1967- _eauthor.
245	1	0	_aNegro Soy Yo : _bHip Hop and Raced Citizenship in Neoliberal Cuba / _cMarc D. Perry.
264		1	_aDurham : _bDuke University Press, _c2016.
264		3	_aBaltimore, Md. : _bProject MUSE, _c2019
264		4	_c©2016.
300			_a1 online resource (296 pages).
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
490	0		_aRefiguring American music
505	0		_aRaced neoliberalism : groundings for hip hop -- Hip hop Cubano : an emergent site of Black life -- New revolutionary horizons -- Critical self-fashionings and their gendering -- Racial challenges and the state -- Whither hip hop Cubano?
506	0		_aOpen Access _fUnrestricted online access _2star
520	8		_aIn Negro Soy Yo Marc D. Perry explores Cuba's hip hop movement as a window into the racial complexities of the island's ongoing transition from revolutionary socialism toward free-market capitalism. Centering on the music and lives of black-identified raperos (rappers), Perry examines the ways these young artists craft notions of black Cuban identity and racial citizenship, along with calls for racial justice, at the fraught confluence of growing Afro-Cuban marginalization and long held perceptions of Cuba as a non-racial nation. Situating hip hop within a long history of Cuban racial politics, Perry discusses the artistic and cultural exchanges between raperos and North American rappers and activists, and their relationships with older Afro-Cuban intellectuals and African American political exiles. He also examines critiques of Cuban patriarchy by female raperos, the competing rise of reggaetón, as well as state efforts to incorporate hip hop into its cultural institutions. At this pivotal moment of Cuban-U.S. relations, Perry's analysis illuminates the evolving dynamics of race, agency, and neoliberal transformation amid a Cuba in historic flux.
546			_aEnglish.
588			_aDescription based on print version record.
650		7	_aRace relations. _2fast _0(OCoLC)fst01086509
650		7	_aBlack people _xSocial conditions. _2fast _0(OCoLC)fst00834005
650		7	_aMUSIC _xPrinted Music _xVocal. _2bisacsh
650		7	_aMUSIC _xLyrics. _2bisacsh
650		7	_aMUSIC _xInstruction & Study _xVoice. _2bisacsh
650		6	_aHip-hop _xAspect politique _zCuba.
650		0	_aHip-hop _xPolitical aspects _zCuba.
650		0	_aBlack people _zCuba _xSocial conditions.
651		7	_aCuba. _2fast _0(OCoLC)fst01205805
651		6	_aCuba _xRelations raciales.
651		0	_aCuba _xRace relations.
655		7	_aElectronic books. _2local
710	2		_aProject Muse. _edistributor
830		0	_aBook collections on Project MUSE.
856	4	0	_zFull text available: _uhttps://muse.jhu.edu/book/64131/
999			_c232456 _d232455