000 03540cam a22004814a 4500
001 musev2_66334
003 MdBmJHUP
005 20240815120758.0
006 m o d
007 cr||||||||nn|n
008 180118s2018 ne o 00 0 eng d
020 _a9789048525270
020 _z9789089647542
035 _a(OCoLC)1111314142
040 _aMdBmJHUP
_cMdBmJHUP
245 0 0 _aTechnology and Film Scholarship :
_bExperience, Study, Theory /
_cedited by Santiago Hidalgo ; foreword by Andre Gaudreault.
264 1 _aAmsterdam :
_bAmsterdam University Press,
_c[2018]
264 3 _aBaltimore, Md. :
_bProject MUSE,
_c2019
264 4 _c©[2018]
300 _a1 online resource (408 pages):
_billustrations
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
490 0 _aFilm theory in media history
505 0 0 _gForeword /
_rAndre Gaudreault --
_gIntroduction:
_tThe discursive spaces between a history of film technology and technological experience /
_rSantiago Hidalgo --
_gSection I
_tExperience --
_g1.
_tWhen Did Cinema Become Cinema? Technology, History, and the Moving Pictures /
_rCharles Musser --
_g2.
_tExhibition Practices in Transition: Spectators, Audiences, and Projectors /
_rJan Olsson --
_g3.
_tReel Changes: Post-mortem Cinephilia or the Resistance of Melancholia /
_rAndre Habib --
_g4.
_tWalter Benjamin's Play Room: Where the Future So Eloquently Nests, or: What is Cinema Again? /
_rDana Cooley --
_gSection II
_tStudy --
_g5.
_tHitchcock, Film Studies, and New Media: The Impact of Technology on the Analysis of Film /
_rDavid Colangelo --
_g6.
_tFilm Analysis and Statistics: A Field Report /
_rCharles O'Brien --
_g7.
_tA `Distant Reading' of the `Chaser Theory': Local Views and the Digital Generation of New Cinema History /
_rPaul Moore --
_gSection III
_tTheory --
_g8.
_tCine-Graphism: A New Approach to the Evolution of Film Language through Technology /
_rTom Gunning --
_g9.
_tCan We Have the Cave and Leave It Too? On the Meaning of Cinema as Technology /
_rVinzenz Hediger --
_g10.
_tOn Viewfinders, Video Assist Systems, and Tape Splicers: Questioning the History of Techniques and Technology in Cinema /
_rBenoit Turquety.
506 0 _aOpen Access
_fUnrestricted online access
_2star
520 8 _aThis volume brings together a wide range of research on the ways in which technological innovations have established new and changing conditions for the experience, study and theorization of film. Drawn from the IMPACT film conference (The Impact of Technological Innovations on the Historiography and Theory of Cinema) held in Montreal in 2011, the book includes contributions from such leading figures in the field as Tom Gunning, Charles Musser, Jan Olsson and Vinzenz Hediger.
588 _aDescription based on print version record.
650 7 _aPerforming Arts.
_2ukslc
650 7 _aFilmtheorie
_2gnd
650 7 _aTechnology in motion pictures.
_2fast
_0(OCoLC)fst01145293
650 7 _aPerforming Arts.
_2eflch
650 7 _aPERFORMING ARTS
_xReference.
_2bisacsh
650 6 _aTechnologie au cinema
_xHistoire.
650 0 _aTechnology in motion pictures
_xHistory.
655 7 _aHistory.
_2fast
_0(OCoLC)fst01411628
655 7 _aElectronic books.
_2local
700 1 _aGaudreault, Andre,
_ewriter of foreword.
700 1 _aHidalgo, Santiago,
_eeditor.
710 2 _aProject Muse.
_edistributor
830 0 _aBook collections on Project MUSE.
856 4 0 _zFull text available:
_uhttps://muse.jhu.edu/book/66334/
999 _c232533
_d232532