000			03690cam a22005774a 4500
001			musev2_66753
003			MdBmJHUP
005			20240815120759.0
006			m o d
007			cr||||||||nn|n
008			180331s2018 ilu o 00 0 eng d
020			_a9780814276129
020			_z9780814213551
035			_a(OCoLC)1111384783
040			_aMdBmJHUP _cMdBmJHUP
245	0	0	_aHip Sublime : _bBeat Writers and the Classical Tradition / _cedited by Sheila Murnaghan and Ralph M. Rosen.
264		1	_aColumbus : _bThe Ohio State University Press, _c[2018]
264		3	_aBaltimore, Md. : _bProject MUSE, _c2019
264		4	_c©[2018]
300			_a1 online resource (334 pages).
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
490	0		_aClassical memories/modern identities
505	0		_aBeats visiting hell: katabasis in Beat literature / Stephen Dickey -- "Thalatta, Thalatta!": Xenophon, Joyce, and Kerouac / Christopher Gair -- "The final fix" and "The transcendent kingdom": the quest in the early work of William S. Burroughs / Loni Reynolds -- The invention of sincerity: Allen Ginsberg and the philology of the margins / Matthew Pfaff -- Radical brothers-in-arms: Gaius and Hank at the racetrack / Marguerite Johnson -- Riffing on Catullus: Robert Creeley's poetics of adultery / Nick Selby -- Sappho comes to the Lower East Side: Ed Sanders, the sixties avant-garde, and fictions of Sappho / Jennie Skerl -- Robert Duncan and Pindar's dance / Victoria Moul -- Kenneth Rexroth: Greek anthologist / Gideon Nisbet -- Philip Whalen and the classics: "A walking grove of trees" / Jane Falk -- Troubling classical and Buddhist traditions in Diane di Prima's Loba / Nancy M. Grace and Tony Trigilio -- Towards a post-Beat poetics: Charles Olson's localism and the second sophistic / Richard Fletcher -- Afterword: "Standing at a juncture of planes" / Nancy M. Grace and Jennie Skerl.
506	0		_aOpen Access _fUnrestricted online access _2star
520			_a"With essays that cover canonical Beat authors such as Allen Ginsberg, Jack Kerouac, and William Burroughs as well as less well-known figures like Kenneth Rexroth, Ed Sanders, and Diane di Prima, this volume focuses on the Beat movement's appropriation of the Greek and Latin classics as a formative element of their literary movement"-- _cProvided by publisher
588			_aDescription based on print version record.
650		7	_aClassical literature _xInfluence. _2fast _0(OCoLC)fst00863517
650		7	_aBeats (Persons) _2fast _0(OCoLC)fst00829327
650		7	_aAuthors, American. _2fast _0(OCoLC)fst00821764
650		7	_aAmerican literature. _2fast _0(OCoLC)fst00807113
650		7	_aLITERARY CRITICISM _xAncient & Classical. _2bisacsh
650		7	_aLITERARY CRITICISM _xAmerican _xGeneral. _2bisacsh
650		7	_aBeat generation. _2aat
650		6	_aLitterature ancienne _xInfluence.
650		6	_aLitterature americaine _y20e siecle _xHistoire et critique.
650		6	_aÉcrivains americains _y20e siecle.
650		6	_aBeatniks.
650		0	_aClassical literature _xInfluence.
650		0	_aAmerican literature _y20th century _xHistory and criticism.
650		0	_aAuthors, American _y20th century.
650		0	_aBeats (Persons)
655		7	_aCriticism, interpretation, etc. _2fast _0(OCoLC)fst01411635
655		7	_aElectronic books. _2local
700	1		_aRosen, Ralph Mark, _eeditor.
700	1		_aMurnaghan, Sheila, _d1951- _eeditor.
710	2		_aProject Muse. _edistributor
830		0	_aBook collections on Project MUSE.
856	4	0	_zFull text available: _uhttps://muse.jhu.edu/book/66753/
999			_c232584 _d232583