000 | 07027cam a22007214a 4500 | ||
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001 | musev2_66278 | ||
003 | MdBmJHUP | ||
005 | 20240815120759.0 | ||
006 | m o d | ||
007 | cr||||||||nn|n | ||
008 | 170810s2017 ne o 00 0 eng d | ||
020 | _a9789048527106 | ||
020 | _z9789089648556 | ||
035 | _a(OCoLC)1111591254 | ||
040 |
_aMdBmJHUP _cMdBmJHUP |
||
245 | 0 | 0 |
_aEarly Film Theories in Italy, 1896-1922 / _cedited by Francesco Casetti, with Silvio Alovisio and Luca Mazzei. |
264 | 1 |
_aAmsterdam : _bAmsterdam University Press, _c2017. |
|
264 | 3 |
_aBaltimore, Md. : _bProject MUSE, _c2019 |
|
264 | 4 | _c©2017. | |
300 | _a1 online resource (517 pages). | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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490 | 0 | _aFilm theory in media history | |
505 | 0 | 0 |
_tThe Throb of the Cinematograph / _rFrancesco Casetti -- _tSection 1 -- _tCinema and Modern Life / _rFrancesco Casetti -- _tCinematography / _rEdipi -- _tThe Philosophy of Cinematograph / _rGiovanni Papini -- _tSummertime Spectacles: The Cinema / _rGaio -- _tWhy I Love the Cinema / _rMaffio Maffii -- _tThe Movie Theatre Audience / _rGiovanni Fosse -- _tThe Art of Celluloid / _rCrainquebille -- _tThe Triumph of the Cinema / _rRicciotto Canudo -- _tThe Death of the Word / _rFausto Maria Martini -- _tSection 2 -- _tFilm in Transition / _rFrancesco Casetti -- _tThe Museum of the Fleeting Moment / _rLucio d'Ambra -- _tThe Woman and the Cinema / _rHaydee -- _tDarkness and Intelligence / _rEmanuele Toddi -- _tA Spectatrix is Speaking to You / _rMatilde Serao -- _tMotion Pictures in Provincial Towns / _rEmilio Scaglione -- _tCinematic Psychology / _rEdoardo Coli -- _tThe Cinematograph Doesn't Exist / _rSilvio d'Amico -- _tThe Cinema: School of the Will and of Energy / _rGiovanni Bertinetti -- _tThe Close-up / _rAlberto Orsi -- _tThe Soul of Titles / _rErnesto Quadrone -- _tSection 3 -- _tCinema at War / _rLuca Mazzei -- _tThe War, from Up Close / _rNino Salvaneschi -- _tThat Poor Cinema / _rRenato Giovannetti -- _tFamilies of Soldiers / _rLuigi Lucatelli -- _tWar for the Profit of Industry / _rRenato Giovannetti -- _tThe War and Cinematograph / _rg.pr. -- _tMax Linder Dies in The War / _rLucio d'Ambra -- _tCinema of War / _rSaverio Procida -- _tSection 4 -- _tPolitics, Morality, Education / _rSilvio Alovisio -- _tThe Motion Pictures and Education / _rDomenico Orano -- _tThe Intuitive Method in Religious Education / _rRomano Costetti -- _tThe Cinema and Its Influence on the Education of the People / _rGiovanni Battista Avellone -- _tThe Cinematograph in the Schools / _rFrancesco Orestano -- _tSpeech at the People's Theatre / _rVittorio Emanuele Orlando -- _tCinema for the Cultivation of the Intellect / _rAngelina Buracci -- _tEducational Cinema / _rEttore Fabietti -- _tSection 5 -- _tFilm, Body, Mind / _rSilvio Alovisio -- _tCollective Psychology / _rPasquale Rossi -- _tAbout Some Psychological Observations Made During Film Screenings / _rMario Ponzo -- _tConcerning the Effects of Film Viewing on Neurotic Individuals / _rGiuseppe d'Abundo -- _tThe Ongoing Battle between Gesture and Word / _rMariano Luigi Patrizi -- _tThe Cinematograph in the Field of Mental Illness and Criminality: Notes / _rGiuseppe Vidoni -- _tCinema and Juvenile Delinquency / _rMario Ponzo -- _tSection 6 -- _tThe Aesthetic Side / _rLuca Mazzei -- _tProblems of Art: Expression and Movement in Sculpture / _rCorrado Ricci -- _tScenic Impressionism / _rSebastiano Arturo Luciani -- _tThe Aesthetics of Cinema / _rGoffredo Bellonci -- _tThe Poetics of Cinema / _rSebastiano Arturo Luciani -- _tManifesto for a Cinematic Revolution / _rGoffredo Bellonci -- _tTheatre and the Cinema / _rAntonio Gramsci -- _tThe Futurist Cinematography / _rRemo Chiti -- _tIn the Beginning Was Sex / _rAntonio Gramsci -- _tRectangle-Film (25 x 19) / _rEmanuele Toddi -- _tThe Proscenium Arch of My Cinema / _rAnton Giulio Bragaglia -- _tMy Views on the Cinematograph / _rLucio d'Ambra -- _tMeditations in the Dark / _rMichele Biancale -- _tSection 7 -- _tTheory in a Narrative Form / _rLuca Mazzei -- _tColour Film / _rRoberto Tanfani -- _tAt the Cinema / _rLuigia Cortesi -- _tA Phantom Pursued / _rAlberto Lumbroso -- _tMiopetti's Duel / _rAldo Borelli -- _tPamela-Films / _rGuido Gozzano -- _tFeature Film / _rPio Vanzi -- _tMe, Riri, and Love in Slippers / _rLuciano Doria -- _tA Cinematic Performance / _rFederigo Tozzi -- _tLife, a Glass Theatre / _rPier Maria Rosso di San Secondo -- _tThe Shears' Reflection / _rGuido Gozzano. |
506 | 0 |
_aOpen Access _fUnrestricted online access _2star |
|
520 | _aThis collection is the first to bring together scholars to explore the ways in which various people and groups in Italian society reacted to the advent of cinema. Looking at the responses of writers, scholars, clergymen, psychologists, philosophers, members of parliament, and more, the pieces collected here from that period show how Italians developed a common language to describe and discuss this invention that quickly exceeded all expectations and transcended existing categories of thought and artistic forms. The result is a close-up picture of a culture in transition, dealing with a 'scandalous' new technology that appeared poised to thoroughly change everyday life. | ||
546 | _aUndetermined. | ||
588 | _aDescription based on print version record. | ||
650 | 7 |
_aMotion pictures _xSocial aspects. _2fast _0(OCoLC)fst01027384 |
|
650 | 7 |
_aMotion pictures _xPhilosophy. _2fast _0(OCoLC)fst01027348 |
|
650 | 7 |
_aMotion pictures and the arts. _2fast _0(OCoLC)fst01027422 |
|
650 | 7 |
_aMotion pictures _xAesthetics. _2fast _0(OCoLC)fst01027288 |
|
650 | 7 |
_aMotion pictures. _2fast _0(OCoLC)fst01027285 |
|
650 | 7 |
_aIntellectual life. _2fast _0(OCoLC)fst00975769 |
|
650 | 7 |
_aPERFORMING ARTS _xFilm & Video _xGeneral. _2bisacsh |
|
650 | 7 |
_aPERFORMING ARTS _xReference. _2bisacsh |
|
650 | 7 |
_aThe arts. _2bicssc |
|
650 | 7 |
_aFilms, cinema. _2bicssc |
|
650 | 7 |
_aFilm, TV and radio. _2bicssc |
|
650 | 7 |
_aFilm theory and criticism. _2bicssc |
|
650 | 6 |
_aCinema et arts _zItalie. |
|
650 | 6 |
_aCinema _xAspect social _zItalie. |
|
650 | 6 |
_aCinema _zItalie _xEsthetique. |
|
650 | 6 |
_aCinema _zItalie _xPhilosophie. |
|
650 | 6 |
_aCinema _zItalie _xHistoire. |
|
650 | 0 |
_aMotion pictures and the arts _zItaly. |
|
650 | 0 |
_aMotion pictures _xSocial aspects _zItaly. |
|
650 | 0 |
_aMotion pictures _zItaly _xAesthetics. |
|
650 | 0 |
_aMotion pictures _zItaly _xPhilosophy. |
|
650 | 0 |
_aMotion pictures _zItaly _xHistory. |
|
651 | 7 |
_aItaly. _2fast _0(OCoLC)fst01204565 |
|
651 | 6 |
_aItalie _xVie intellectuelle _y20e siecle. |
|
651 | 0 |
_aItaly _xIntellectual life _y20th century. |
|
655 | 7 |
_aHistory. _2fast _0(OCoLC)fst01411628 |
|
655 | 7 |
_aElectronic books. _2local |
|
700 | 1 |
_aMazzei, Luca, _eeditor. |
|
700 | 1 |
_aAlovisio, Silvio, _d1968- _eeditor. |
|
700 | 1 |
_aCasetti, Francesco, _eeditor. |
|
710 | 2 |
_aProject Muse. _edistributor |
|
830 | 0 | _aBook collections on Project MUSE. | |
856 | 4 | 0 |
_zFull text available: _uhttps://muse.jhu.edu/book/66278/ |
999 |
_c232595 _d232594 |