000			02044cam a22003494a 4500
001			musev2_67345
003			MdBmJHUP
005			20240815120759.0
006			m o d
007			cr||||||||nn|n
008			190328e20181115txu o 00 0 eng d
020			_a9781574417456
020			_z9781574417340
035			_a(OCoLC)1111952009
040			_aMdBmJHUP _cMdBmJHUP
245	0	0	_aYou Shook Me All Campaign Long : _bMusic in the 2016 Presidential Election and Beyond
264		1	_bUniversity of North Texas Press, _c2018.
264		3	_aBaltimore, Md. : _bProject MUSE, _c2019
264		4	_c©2018.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
506	0		_aOpen Access _fUnrestricted online access _2star
520			_aMusic has long played a role in American presidential campaigns as a mode of both expressing candidates' messages and criticizing the opposition. The 2016 campaign was no exception and was a game changer. The ten chapters in this collection place music use in 2016 in historical perspective before examining musical messaging, strategy, and parody. The book ultimately explores causality: how do music and musicians affect presidential elections, and how do politicians and campaigns affect music and musicians? The authors explain this interaction from various perspectives, with methodological approaches from several fields, including political science, legal studies, musicology, cultural studies, rhetorical studies, and communications and journalism. "The cumulative effect of the authors' expertise on campaign music makes this book a tour-de-force."--Nancy S. Love, author of Musical Democracy.
546			_aEnglish.
588			_aDescription based on print version record.
655		7	_aElectronic books. _2local
710	2		_aProject Muse. _edistributor
830		0	_aBook collections on Project MUSE.
856	4	0	_zFull text available: _uhttps://muse.jhu.edu/book/67345/
999			_c232609 _d232608