000			03706cam a22005654a 4500
001			musev2_67837
003			MdBmJHUP
005			20240815120803.0
006			m o d
007			cr||||||||nn|n
008			190913s2019 mdu o 00 0 eng d
020			_a9781421432397
020			_z9781421432373
020			_z9781421432380
020			_z9780801803925
035			_a(OCoLC)1120069547
040			_aMdBmJHUP _cMdBmJHUP
050		4	_aB945.L583 _bE7 2019
100	1		_aLovejoy, Arthur O. _q(Arthur Oncken), _d1873-1962, _eauthor.
245	1	0	_aEssays in the History of Ideas / _cby Arthur O. Lovejoy.
250			_aOpen access edition.
264		1	_aBaltimore, Maryland : _bProject Muse, _c2019
264		3	_aBaltimore, Md. : _bProject MUSE, _c2019
264		4	_c©2019
300			_a1 online resource (380 pages).
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
490	0		_aHopkins open publishing encore editions
500			_a"Published for the History of Ideas Club of the Johns Hopkins University"--Title page verso.
500			_aOriginally published: New York : George Braziller, Inc., 1955.
500			_aIssued as part of book collections on Project MUSE.
504			_a"Bibliography of the published writings of Arthur O. Lovejoy, 1898-1948."
504			_aIncludes bibliographical references and index.
505	0		_aThe historiography of ideas -- The supposed primitivism of Rousseau's Discourse on inequality -- Monboddo and Rousseau -- "Pride" in eighteenth century thought -- "Nature" as aesthetic norm -- The parallel of deism and classicism -- The Chinese origin of a romanticism -- The first Gothic revival and the return to nature -- Herder and the Enlightenment philosophy of history -- The meaning of "romantic" in early German romanticism -- Schiller and the genesis of German romanticism -- On the discrimination of romanticisms -- Coleridge and Kant's two worlds -- Milton and the paradox of the fortunate fall -- The communism of St. Ambrose -- "Nature" as norm in Tertullian.
506	0		_aOpen Access _fUnrestricted online access _2star
520			_aIn the first essay of this collection, Lovejoy reflects on the nature, methods, and difficulties of the historiography of ideas. He maps out recurring phenomena in the history of ideas, which the essays illustrate. One phenomenon is the presence and influence of the same presuppositions or other operative "ideas" in very diverse provinces of thought and in different periods. Another is the role of semantic transitions and confusions, of shifts and of ambiguities in the meanings of terms, in the history of thought and taste. A third phenomenon is the internal tensions or waverings in the mind of almost every individual writer--sometimes discernible even in a single writing or on a single page--arising from conflicting ideas or incongruous propensities of feeling or taste to which the writer is susceptible. These essays do not contribute to metaphysical and epistemological questions; they are primarily historical.
588			_aDescription based on print version record.
650		0	_aLiterature.
650		0	_aPhilosophy.
655		7	_aLiterature. _2lcgft
655		7	_aElectronic books. _2local
710	2		_aProject Muse, _edistributor.
710	2		_aJohns Hopkins History of Ideas Club, _eissuing body.
776	1	8	_iPrint version: _z1421432382 _z9781421432380
710	2		_aProject Muse. _edistributor
830		0	_aHopkins open publishing encore editions.
830		0	_aBook collections on Project MUSE.
856	4	0	_zFull text available: _uhttps://muse.jhu.edu/book/67837/
999			_c232811 _d232810